HAVANA: Reports in Cuba’s state-run press have long consisted mostly of transcriptions of official Communist Party declarations, but that turgid style appears to be incrementally changing in the wake of Miguel Diaz-Canel becoming president in April.
Cuban journalists said the Political Bureau of the Communist Party, one of the country’s most powerful bodies, recently approved a “New Communication Policy” aimed at giving state media more ability to report news like their colleagues do in other countries.
State journalists say the goal is to compete with the spread of information from alternative online sources. Cuba has one of the world’s lowest rates of Internet use, but access has been expanding rapidly and Cubans who get online can find a nearly unlimited range of non-official media outlets.
Cuba slightly loosens controls on state media
Cuba slightly loosens controls on state media
Rights groups urge UN to release findings on Israeli killing of journalist in Lebanon
- The letter signed by 16 organization said release ‘necessary to support other justice and accountability efforts’
- Issa Abdallah was killed on Oct. 13 in what some investigators say was ‘deliberate strike’ on press
LONDON: Human rights groups have urged the UN’s peacekeeping force in Lebanon to publicly release the findings of a probe into Israel’s killing of a Reuters videographer last year.
Issa Abdallah was killed and six other journalists from Reuters, Agence France-Presse and Al Jazeera were injured in the strike on Oct. 13.
Investigations launched by Human Rights Watch, Reuters and AFP concluded that the attack was a deliberate strike by the Israeli military against media workers wearing visible press vests.
The letter to the UN was sent by 16 NGOs and journalist groups, including HRW, MENA Rights Group, The Tahrir Institute for Middle East Policy and Reporters Without Borders.
It was addressed to UN Secretary-General Antonio Guterres, UNIFIL Force Commander Lieutenant General Aroldo Lazaro Saenz, UN Special Coordinator for Lebanon Joanna Wronecka and Under-Secretary-General for Peace Operations Jean-Pierre Lacroix.
“The Reuters report suggests that the UNIFIL investigation corroborated the findings of investigations conducted by Reporters Without Borders, Reuters, AFP, Amnesty International and Human Rights Watch,” the organizations said in the letter.
“We, therefore, request that UNIFIL make its full investigation public in accordance with the UN’s commitment to transparency.”
The request follows mounting concern that the UN’s findings may not be released to the public, a scenario the group notes “is not without precedent.
“If UNIFIL is currently unable to make the full report public, we ask you to make a public statement explaining why and providing a timeline for when publication will occur. In such instances, a redacted or summarized version of the report should be released in the interim,” the letter said.
The release of the findings is “necessary to support other justice and accountability efforts,” it added.
Reuters staff, who saw a copy of the seven-page summary of the investigation dated to February this year, said UNIFIL found that an Israeli tank killed Abdallah by firing two 120 mm rounds at a group of “clearly identifiable journalists,” in violation of international law.
The investigators added that UNIFIL personnel did not record any exchange of fire across the border between Israel and Lebanon for more than 40 minutes before the Israeli Merkava tank opened fire.
If confirmed, the strikes could be investigated as a war crime, a demand previously made by HRW and Amnesty International.
Canadian school boards sue Snapchat, TikTok and Meta for disrupting students’ education
- Lawsuits claim platforms like Facebook and Instagram are “designed for compulsive use, have rewired the way children think, behave, and learn” and teachers have been left to manage the fallout
TORONTO: Four of the largest school boards in the Canadian province of Ontario said Thursday they launched lawsuits against TikTok, Meta and SnapChat alleging the social media platforms are disrupting student learning.
The lawsuits claim platforms like Facebook and Instagram are “designed for compulsive use, have rewired the way children think, behave, and learn” and teachers have been left to manage the fallout.
Meta Platforms Inc. owns Facebook and Instagram, while Snap Inc. owns SnapChat and ByteDance Ltd. owns TikTok.
Rachel Chernos, a trustee for the Toronto District School Board, said teachers and parents are noticing social withdrawal, anxiety, attention problems, cyberbullying and mental health issues.
“These companies have knowingly created programs that are addictive that are aimed and marketed at young people and it is causing significant harm and we just can’t stand by any longer and not speak up about it,” Chernos said.
Dozens of US states, including California and New York, are also suing Meta Platforms Inc. for harming young people and contributing to a youth mental health crisis by knowingly and deliberately designing features on Instagram and Facebook that addict children to its platforms.
The school boards in Canada suing are the Toronto District School Board, the Peel District School Board, the Toronto Catholic District School Board and the Ottawa-Carleton District School Board.
They are seeking damages in excess of $4 billion Canadian ($2.9 billion) for disruption to student learning and the education system.
A spokeswoman for Snap Inc., Tonya Johnson, said Snapchat helps its users stay connected with their friends.
“Snapchat opens directly to a camera — rather than a feed of content — and has no traditional public likes or comments,” she said. “While we will always have more work to do, we feel good about the role Snapchat plays in helping close friends feel connected, happy and prepared as they face the many challenges of adolescence.”
Representatives of Meta and ByteDance didn’t immediately respond to messages seeking comment.
Duncan Embury, a lawyer for the firm representing the boards, said there is a real addiction issue with the designed algorithms.
Embury said proper warnings are needed, age parameters need to change and there needs to be an increase in the level of resources school boards get to adapt to the new reality. He said the companies have knowingly and negligently designed their products to maximize the amount of time young people spend on their platforms at the expense of their well-being and education.
“There is an inability for students to focus,” he said.
The use of social media among teens is nearly universal in the US and many other parts of the world. Almost all teens ages 13 to 17 in the US report using a social media platform, with about a third saying they use social media “almost constantly,” according to the Pew Research Center.
In May, US Surgeon General Dr. Vivek Murthy called on tech companies, parents and caregivers to take “immediate action to protect kids now” from the harms of social media.
This week, Republican Florida Gov. Ron DeSantis signed a bill that will ban social media accounts for children under 14 and require parental permission for 14- and 15-year-olds. It takes effect Jan. 1 and is expected to face legal challenges.
No money will be paid to the attorneys handling the Canadian lawsuits unless they win.
Middle East ‘poised to make its mark on global content landscape,’ says TV boss
- Ziad Kebbi, CEO of Dubai-based Blue Engine Studios, says its vision is to produce ‘compelling, high-quality content’ that ‘creates a deep connection’ with audiences
- The region ‘has the potential to follow in the footsteps of South Korea, Spain and India in becoming a global content hub,’ he adds
DUBAI: Last month, Dubai-based production company Blue Engine Studios unveiled Nabil Soueid as the new chairman of its board and majority shareholder, as part of its strategy to bolster growth and expand its production of diverse scripted, unscripted and short-form content for regional and international platforms.
The business launched in late 2021 with the aim of targeting pan-Arab digital media, linear TV and the expanding streaming market. It was co-founded by CEO Ziad Kebbi, along with industry veteran Hani Ghorayeb who left the company last month shortly before Soueid was appointed.
“Nabil brings a wealth of experience and a deep understanding of the television industry, both regionally and globally,” Kebbi told Arab News.
As the company works to bring “incredible stories to life through our distinctive approach to content production” and carve out “a unique position” in the market, Soueid’s insights will be valuable, he added.
In late 2021, the company formed an exclusive partnership with Dutch media conglomerate Talpa Concepts, developing what it describes as a robust format catalog that includes the recent global game show sensation “The Floor.”
Now, Blue Engine Studios is entering a new phase that involves “sharpening our focus on innovative television programming,” said Kebbi.
“Our vision for Blue Engine Studios is to be at the forefront of producing compelling, high-quality content that not only entertains but also creates a deep connection with our audiences across different platforms, tapping into both regional sensibilities and global storytelling techniques.”
The media landscape has become more cluttered in recent years, he added, and to stand out, streamers must “deliver unique, quality content, provide exceptional user experiences and, perhaps most importantly, create an emotional connection with their audiences through stories that resonate.”
This is why the company has adopted a collaborative approach, working with local, regional and international streaming services, Kebbi said.
“We aim to create content that aligns with their brand and audience, while maintaining the integrity and uniqueness of our creative vision.”
Soueid noted that audiences in the Middle East are diverse and there is demand for both local and international content.
“Content consumption in our region is multifaceted,” he said. “While there’s a significant appetite for local content that resonates culturally, international formats adapted for regional audiences, like ‘The Voice,’ have also been very successful.”
In response to this audience demand, international streaming services such as Netflix have made significant investments in the region, through training programs and funding.
This “interest in developing the talent pipeline in the region is a positive sign” that “signals growth in the regional talent pool, opening up opportunities for local storytellers and creators to showcase their work on a global platform,” Kebbi said.
In addition, governments in the region are investing in the media and entertainment sectors to further support the development and growth of talent. Last month, for example, MEFIC Capital, in collaboration with Roaa Media Ventures, launched the Saudi Film Fund with an initial capital injection of SR375 million ($100 million), 40 percent of its funding coming from the Kingdom’s Cultural Development Fund. The aim of the fund is to bolster international partnerships with major studios and deliver content that reflects Saudi culture and values.
“Saudi Arabia’s Vision 2030 has been a catalyst for talent development and production in the Kingdom,” said Kebbi. This focus on media and entertainment “has given rise to a new generation of creators and an infrastructure supportive of high-quality production,” he added.
With shows from around the world such as “Squid Game,” from South Korea, and “Money Heist,” from Spain, increasingly making their mark on the global stage, Hollywood is perhaps no longer quite as dominant a force in quality content as it once was.
In fact, the era of “peak TV” might be over, according to 17 entertainment-industry executives, agents and bankers who recently spoke to Reuters.
“I think there will be a significant retrenchment in the quantity of content and the amount spent on content,” one veteran TV executive told the news agency.
Could this present producers in the Middle East with the perfect opportunity to step up their presence on the international stage? Kebbi certainly believes so.
The region “is poised to make its mark on the global content landscape,” he said. “With strategic investments, nurturing of local talent, and stories that resonate universally, the region has the potential to follow in the footsteps of South Korea, Spain and India in becoming a global content hub.”
Instagram’s political content limit could ‘fuel censorship of pro-Palestine voices’
- Accessing political content now requires users to go into their settings and actively opt in via their preferences
- “Social media is an essential platform for people to bear witness and speak out against abuses,” HRW says
LONDON: Meta has found itself again under scrutiny after it quietly rolled out a new feature on Instagram that automatically limits users’ exposure to what it considers “political” content.
The tech giant is being accused of censorship during a global election year, with rights groups telling Arab News that the move risks fueling systematic censorship of pro-Palestinian content.
Instagram users discovered the feature, which was first announced on Feb. 9, was implemented on Friday without directly notifying them.
Accessing political content now requires users to go into their settings and actively opt in via their preferences.
Meta’s definition of political content is ambiguous, describing it as likely to mention “government, elections, or social topics that affect a group of people or society at large.”
Meta referred Arab News to a little-noticed statement from February without providing further detail. In explaining the decision, the company said that it wanted to make its platforms “a great experience for everyone.”
“If you decide to follow accounts that post political content, we don’t want to get between you and their posts, but we also don’t want to proactively recommend political content from accounts you don’t follow,” it said.
“Under the United Nations Guiding Principles on Business and Human Rights (UNGPs), companies have a responsibility to avoid infringing on human rights, identify and address the human rights impacts of their operations, and provide meaningful access to a remedy to those whose rights they abused,” Rasha Younes of Human Rights Watch told Arab News.
“For social media companies, including Meta, this responsibility includes aligning their content moderation policies and practices with international human rights standards, ensuring that decisions to take down content are transparent and not overly broad or biased, and enforcing their policies consistently,” Younes said.
The update applies to Explore, Reels, and in-feed recommendations and suggested users that Instagram shows to users.
Meta said that users would still be able to see political content from the accounts they currently followed.
It also stated that accounts flagged by Meta for posting political content could appeal the decision that prevented them from being recommended into the feeds if they believe that it was applied incorrectly.
The announcement of the policy change was also posted on Threads by Adam Mosseri, Meta’s head of Instagram.
Explaining the company’s decision, the American-Israeli businessman said: “Our goal is to preserve the ability for people to choose to interact with political content, while respecting each person’s appetite for it.”
This recent policy is part of Meta’s larger strategy to cut off its services from political and news content, signaling a significant shift in how the company views its role in the information ecosystem.
The company plans to remove the news tab from Facebook in Australia and the US by early April.
“One of the top pieces of feedback we’re hearing from our community right now is that people don’t want politics and fighting to take over their experience on our services,” Meta CEO Mark Zuckerberg said during Facebook’s earnings call in January 2021.
However, the implementation of this recent policy has sparked outrage, particularly in light of the war in Gaza.
“Instagram’s move to limit ‘political content’ on the platform risks fueling censorship of content in support of Palestine, at a time of unspeakable atrocities and repression already stifling Palestinians’ expression. Social media is an essential platform for people to bear witness and speak out against abuses,” Younes said.
Earlier in December, Human Rights Watch accused Meta of participating in a wider wave of online censorship, specifically targeting content in support of Palestine and Palestinian human rights, against the backdrop of the war.
The report documented 1,049 cases in which peaceful pro-Palestine content was taken down or suppressed.
Younes recommended that Meta, “improve transparency around requests by governments’ Internet referral units, including Israel’s Cyber Unit, to remove content ‘voluntarily’— that is, without a court or administrative order to do so — and about its use of automation and machine learning algorithms to moderate or translate Palestine-related content.
“It should carry out due diligence on the human rights impact of temporary changes to its recommendation algorithms that it introduced in response to the hostilities between Israel and Hamas since Oct. 7.”
EU mulls removal of Iranian firm linked to internet blackout from censorship list
- ArvanCloud was sanctioned in 2022 for its role in censorship Internet in the country
LONDON: The European Union is reportedly contemplating the removal of ArvanCloud from its roster of human rights sanctions.
The company was sanctioned in 2022 due to its involvement in Iran’s internet censorship.
According to Iran International, citing a source close to the matter, the decision to lift the sanctions appears to be driven by claims from ArvanCloud's supporters abroad.
These supporters allege that the company played a significant role in providing millions of Iranian citizens with access to a free internet during the Woman, Life Freedom protests in 2022-2023.
During the nationwide demonstrations, which called for fundamental economic, social, and political changes, ArvanCloud was accused of assisting the Islamic Republic in censoring the internet, given its close ties to Iran’s intelligence services and top officials.
Consequently, the company, along with some of its executives, was also sanctioned by the US.
Subsequently, ArvanCloud announced the termination of its contract with the Ministry of Communications and Information Technology of the Islamic Republic of Iran.
This development precedes the EU’s annual review of its list of individuals and entities found to be violating human rights in Iran.
Iran has a history of blocking tens of thousands of websites since 2002, including prominent social media platforms such as Facebook, Twitter, and YouTube.
The country is notorious for its strict internet censorship measures, which have included shutting down internet access for most Iranians during nationwide protests. These measures aim to prevent the dissemination of information online and obstruct communication among citizens.
ArvanCloud, which controls 49 percent of Iran’s cloud space market, continues to host many critical websites in the Islamic Republic, including those of the presidency, IRNA news agency, and the Ministry of Islamic Guidance.
Additionally, one of the company’s information centers is installed at Payam Airport, which belongs to the Ministry of Communications.