Saudi Arabia’s role in banishing piracy from regional waters

Updated 10 April 2019
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Saudi Arabia’s role in banishing piracy from regional waters

  • Armed criminals no longer terrorize regional waters thanks to a coalition in which Saudi Arabia is a key player
  • Crimes on the high seas have dipped to their lowest levels in years, maritime experts say

DUBAI: A decade ago, during the peak years of the Somali piracy crisis, the waters of the Arabian Gulf faced frequent threats from armed criminals at sea, who disrupted the economy by terrorizing shipping routes.

But experts say regional action — with Saudi Arabia at the forefront — has meant crimes on the high seas have dipped to some of the lowest records in years. 

A five-year stretch between 2007 and 2012 saw Somalia’s lawless coastline at the epicenter of global maritime crime. Numerous kidnappings and hijackings threatened vital maritime trade routes.

Every year, tens of thousands of vessels transit through the Gulf of Aden, which leads to the Suez Canal, amounting to roughly 10 percent of global trade flows.

Pirates terrorized vessels on some of the world’s busiest shipping lanes, with almost daily incidents across the Arabian Sea, the Gulf of Aden and the Red Sea, causing an $18 billion loss to the global economy, according to the World Bank. In 2010 alone, there were 489 instances of piracy, according to the International Maritime Bureau (IMB).

Enter the Combined Maritime Forces (CMF), an anti-piracy coalition of 33 nations from all over the world — including five Gulf states — in which Saudi Arabia is a key player. Established some years prior, the CMF stepped up its operations following a massive global anti-piracy effort in 2008.

That year, the UN Security Council also urged countries to use “all necessary means” to defeat piracy, while encouraging them to patrol the Somali coastline, particularly the Gulf of Aden.

The Gulf Cooperation Council (GCC) has played a huge part in three CMF task forces: Combined Task Force (CTF) 150, which conducts counterterrorism and maritime security operations in the Indian Ocean, the Gulf of Aden, the Red Sea, the Arabian Sea and the Gulf of Oman; CTF 151, which conducts counterpiracy operations; and CTF 152, which conducts maritime security operations in the Arabian Gulf.

Lt. Commander Ian Miller of CTF 152 said Saudi Arabia has been instrumental in tackling maritime crimes across the Arabian Gulf, while GCC countries have collectively taken a leadership role in investing in long-term, onshore solutions in order to permanently end piracy in the Horn of Africa.

“The GCC countries play a significant role in the CMF,” Miller told Arab News. The Saudi military has “supplied personnel and assets in all three task forces,” and has “commanded CTF 150 once and CTF 152 on two separate occasions,” he said. This has led to “a number of notable successes,” particularly for CTF 150 operations, including “seizure and destruction of several thousand tons of hashish and heroin,” he added.

At the height of piracy around the Horn of Africa, the impact on the Gulf was profound. During that time, more than a dozen ships that were either owned, managed or flagged by GCC countries were attacked or hijacked by Somali pirates, including the 1,090-foot, Saudi-owned crude super-tanker MV Sirius Star.

It was hijacked in November 2008 more than 450 nautical miles off the coast of Kenya as it was en route from Saudi Arabia to the US via the Cape of Good Hope.

The super-tanker was transporting 2 million barrels of oil, and was only released after a multimillion-dollar ransom payment. 

In March 2010, Saudi tanker Al-Nisr Al-Saudi was hijacked in the Gulf of Aden. Pirates held its Greek captain and its 13 Sri Lankan crew members hostage until the ship was released some eight months later, after another hefty ransom was reportedly paid. 

There have also been unsuccessful attempts by pirates to hijack GCC ships, including the Saudi-owned chemical tanker Al-Balad. Such attacks led to NATO naval forces guarding Somalia’s coastline as part of the offshore military response.

A number of nations, including Saudi Arabia, sent ships to help secure the massive area in which pirates operate. 

At the height of Somali piracy in January 2011, 736 hostages and 32 ships were being held by pirates, said Miller. By October 2016, no hostages or ships were being held. 

The International Maritime Organization (IMO) said there has been a lot of work to address piracy off the coast of Somalia, partly through the implementation of the 2009 Djibouti Code of Conduct and the Jeddah Amendment, which was adopted by countries in the Western Indian Ocean and the Gulf of Aden to combat piracy and armed robbery against ships operating in that region. The IMO said Saudi Arabia has been key in pushing forward the Djibouti Code of Conduct and the Jeddah Amendment.

“The Djibouti Code of Conduct, which has been instrumental in repressing piracy and armed robbery against ships in the Western Indian Ocean and the Gulf of Aden, saw its scope significantly broadened to cover other illicit maritime activities following a 2017 meeting hosted in Jeddah, which adopted a revised code of conduct known as the Jeddah Amendment,” an IMO spokesperson told Arab News.

Signatories to the amendment, which calls on member states to cooperate against transnational organized maritime crime, include Saudi Arabia, Djibouti, Ethiopia, Jordan, Kenya, Madagascar, the Maldives, Mauritius, Mozambique, Oman, the Seychelles, Somalia, the UAE and Yemen.

Following the crucial Jeddah meeting, participatory states agreed to work together, with support from the IMO and other stakeholders, to build national and regional capacity to address wider maritime security issues.

“Several Gulf states signed the Jeddah Amendment, committing to suppress illicit maritime acts, and the number of incidents in the region and off the coast of Somalia has decreased since piracy was at its peak in 2010-2011,” the IMO said. “Action by all countries, as well as ships applying best management practices, have certainly helped.”

The IMB recorded 180 incidents in 2017, down from 489 in 2010 and the lowest annual number since 1995. The last reported incident of piracy was in March 2018, when four suspected pirates approached a vessel. But after the vessel increased its speed, they stopped their chase.

Although current piracy levels remain low, Miller said the battle has not yet been won, adding: “It’s understood that piracy remains repressed, but it isn’t eliminated.”

Michiel Hijmans, general manager of the Maritime Security Alliance, which provides non-violent legal solutions to combat hijacking and stowaways, also said maritime crimes in the region are now diminished. 

He said as long as the Gulf of Aden is well protected by counterpiracy units, the threat will stay low. “In the future, it could easily rise if countries step down on their efforts,” he added. 

Hijmans stressed the need for more countries to build up their maritime capacity and tackle the root causes of piracy. 

“A comprehensive, lasting piracy solution is something the whole world should be looking after, but it isn’t very realistic that such a solution will be found on short notice,” he said. “Countries have many other priorities to look after. We’re good at fighting the symptoms, but tackling the root causes of piracy — like failed states, famine and organized crime — is another issue.”

 


US Embassy marks 248th Independence Day with shared US-Saudi vision for space exploration 

Updated 11 sec ago
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US Embassy marks 248th Independence Day with shared US-Saudi vision for space exploration 

  • Ambassador Michael Ratney welcomes hundreds of Saudi guests to space-themed Riyadh reception

RIYADH: The US Embassy in Riyadh celebrated the 248th anniversary of Independence Day on Thursday with a reception hosted by US Ambassador Michael Ratney. 

The ambassador welcomed guest of honor Prince Faisal bin Abdulaziz bin Ayyaf, Riyadh Region mayor, along with Saudi officials, and hundreds of Saudi guests, as well as visitors from Washington, including members of the US Congress.  

The space-themed Independence Day reception served as a symbolic celebration of the future of the US-Saudi cooperation in space, highlighting the profound benefits and possibilities of space exploration, research, and commercial development.

Ratney said the theme reflects the “shared ambition of the United States and Saudi Arabia to embrace opportunities in space, positioning both countries as pioneers in this frontier of innovation.” 

The event evoked nostalgia for past achievements, such as the 1969 moon landing, while emphasizing ongoing advancements in space sciences, particularly commercial space exploration. 

Ratney highlighted Saudi pioneers in space travel, such as Prince Sultan bin Salman, and astronauts Rayyanah Barnawi and Ali Al-Qarni. 

An art installation, “Museum of the Moon,” by artist Luke Jerram, featured NASA’s high-definition imagery of the lunar surface. 

According to the US Embassy’s statement, the collaboration between the US and Saudi Arabia continues to advance shared interests in diplomacy, commerce, culture, and more.

The US remains dedicated to enhancing shared US-Saudi shared interests in security and in fostering prosperity in the region, while also exploring new avenues for partnerships in areas such as the arts, education, entertainment, and tourism, it said.

Both countries are poised to explore further cooperation, including potential joint ventures in space, reflecting a vision for an even stronger US-Saudi relationship in the future, the statement added. 


Saudi, Cypriot foreign ministers discuss relations

Updated 18 min 54 sec ago
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Saudi, Cypriot foreign ministers discuss relations

Saudi Minister of Foreign Affairs, Prince Faisal bin Farhan received his Cypriot counterpart, Dr. Konstantinos Kompos, at the ministry’s headquarters in Riyadh on Thursday.

During the meeting, the ministers reviewed the advanced bilateral relations between the Kingdom and the Republic of Cyprus, and ways to promote them in a variety of fields. 

They also discussed ways to increase bilateral coordination on issues of common interest and reviewed international developments.


New initiative to train young innovators in nanotechnology

Updated 40 min 6 sec ago
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New initiative to train young innovators in nanotechnology

  • Program structured in 3 phases for Saudi graduates and entrepreneurs 

RIYADH: The Nanotechnology Association, supported by the Misk Foundation, is set to launch the Nanohub Program, aimed at inspiring and equipping the next generation for careers in the sector to help support a brighter future and a thriving economy.

Nanohub, a nonprofit initiative, is structured in three phases to train Saudi graduates and entrepreneurs aged between 20 and 26. It provides workshops and sessions to develop personal skills, gain hands-on experience with nanotechnology, and receive guidance from industry experts.

The program partners with leading local and international organizations to ensure participants are prepared for the workforce.

Nanotechnology is expected to transform business and innovation in various sectors. Understanding its economic impact and the potential benefits of partnerships are of crucial importance for young entrepreneurs.

The program aims to equip participants with the skills and knowledge needed to excel in nanotechnology and inspire them to drive innovation in their industries.

The first phase of the program will focus on soft skills and leadership development. It is scheduled for three days, starting on April 28.

The second phase, which starts on May 5, explores applications of nanotechnology. It runs for five days, covering topics like the fundamentals of nanotechnology, its use in medicine, energy, and renewable energy, as well as sustainability.

The third phase, beginning on May 12 and ending on May 16, provides hands-on laboratory experience through a series of sessions called “Shadowing and Lab Tours.” This phase has two key tracks: the Shadowing Track and the Lab Tours Track.

The Lab Tours Track will give participants an in-depth look at cutting-edge nanotechnology research. They will visit world-class laboratories where nanotechnology innovations are being developed.

Participants will observe advanced equipment and complex techniques central to nanotechnology research. They will see live experiments and dynamic processes that reveal the workings of nanotechnology. This track is more than just a tour as it enhances understanding by connecting academic concepts to real-world applications, giving participants a closer look at the research and development process.

The Nanohub Program is “a transformative initiative designed to elevate the skills and competencies of graduates and new hires with STEM (science, technology, engineering and mathematics) backgrounds,” said Dr. Turki Almugaiteeb, chairman of the board of the Nanotechnology Association.

“This unique initiative aims to enrich participants’ soft skills and technical expertise through curated activities.”

Almugaiteeb added that participants would “have the opportunity to delve into the intriguing realms of medicine and energy, witnessing firsthand how nanotechnology is revolutionizing these industries.”

He added: “By immersing themselves in this dynamic program, individuals will not only broaden their knowledge but also cultivate the multidisciplinary skills needed to thrive in today’s competitive and rapidly evolving STEM landscape.”


An enduring bond: A Jordanian photographer has turned his focus on two of the Arab world’s most beloved creatures

Updated 48 min 31 sec ago
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An enduring bond: A Jordanian photographer has turned his focus on two of the Arab world’s most beloved creatures

  • Tariq Dajani’s first photographic exhibition of the horse and falcon series is on display at Ahlam Gallery in Al-Olaya, Riyadh
  • Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages

RIYADH: The Arabian horse and hunting falcon are important historical and cultural symbols for the Arab world, both ancient and modern.

Now a Riyadh gallery is highlighting this enduring bond with a series of portrait studies of both creatures by Tariq Dajani, a Jordanian photographer and printmaker.

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages.

However, Dajani, an owner of Arabians, chose to reflect his love of these creatures through photography and artworks.

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages. (Supplied)

Over the years he spent many sessions photographing horses in his native Jordan, as well as the UAE and Saudi Arabia. Later, toward the end of the project, he added the hunting falcon, another symbol of cultural heritage and pride among Arabs.

Dajani’s first photographic exhibition of the horse and falcon series is on display at Ahlam Gallery in Al-Olaya, Riyadh. 

Entitled “Drinkers of the Wind,” the exhibition is the result of 16 years’ work creating portraits of these magnificent creatures.

Tariq Dajani's exhibition at Ahlam Gallery, entitled “Drinkers of the Wind,” is the result of 16 years’ work. (Supplied)

Dajani told Arab News that he is delighted to be able to display his work in Saudi Arabia, “a country that is deeply connected to the horse and the falcon.”

Ahlam Gallery is the perfect place to showcase these artworks, he added.

Dajani’s treatment of his subjects is not in the usual natural or romantic manner. Instead, and this is partly what sets his art apart, he uses a studio portrait approach, where he takes his studio to the stables or falcon sheds, and spends time carefully working on portrait studies of the creatures.

“My aim is to find a connection of sorts with the horse or the birds,” he said. “I am not interested in documenting the creature; I try to go deeper, to express something emotionally if I can.

“I was living in Sweden when I decided to photograph the Arabian horse. So I had to return to the Middle East, and I started with Jordan, my home country.

“The way I approach the work is to present the horse on a backdrop where all my focus — and thus the viewers of the final picture — will be on the animal itself and not on the environment that it is in.”

Tariq Dajani's exhibition at Ahlam Gallery, entitled “Drinkers of the Wind,” is the result of 16 years’ work. (Supplied)

While photographing in Jordan, Dajani met Princess Alia Al-Hussein, eldest daughter of the late King Hussein of Jordan. He presented some of his work to her, and received her enthusiastic approval. 

Princess Alia gave him permission to photograph the horses of the Royal Jordanian Stud, and has continued to support his work over the years, opening his first two exhibitions in Jordan.

“I had access to some of the most beautiful horses in Jordan when I first started my project. My first exhibition solely of Jordanian Arabians was a great success,” Dajani said.

“Encouraged by the reception, and by now totally absorbed in this project, I went to Dubai, then Abu Dhabi, then Saudi Arabia, where I was presented with some of the most magnificent Arabian horses to photograph. Along the way, I introduced portrait studies of the hunting falcon. They, too, are strikingly beautiful and have a special place in Arab culture and heritage.

“I will always remain very grateful to Princess Alia for her initial support, and to many others for encouraging the work and opening doors for me along the way.”

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages. (Supplied)

One of his most striking photographs shows two mares bringing their heads together in a gentle greeting.

“This incredible and totally unanticipated greeting happened while I was photographing at the King Abdulaziz Arabian Horse Center in Dirab, south of Riyadh. The two mares were led out onto my backdrop studio space from opposite sides, and when they approached each other, they gently and courteously touched their heads as if to say hello,” he said.

“It was so special. No one had ever witnessed this before. We all held our breath as we watched in amazement. I frequently think that it would be nice if these sensitive, clever creatures could teach us humans a little bit of gentleness and respect.”

Dajani’s exhibition features high-quality photographic color prints, and a smaller collection of photogravure prints, produced by manually pulling an inked metal plate, engraved with the photographic image, through a traditional printing press — a slow and difficult process that produces prints with a special feel and texture.
 


Focus on emerging filmmakers at 11th Showreel Effat International Student Film Festival

Updated 25 April 2024
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Focus on emerging filmmakers at 11th Showreel Effat International Student Film Festival

  • The event included films by young Saudis and their peers from around the world, plus seminars and workshops presented by industry insiders

JEDDAH: Effat University’s School of Cinematic Arts in Jeddah welcomed aspiring filmmakers and cinephiles to the 11th Showreel Effat International Student Film Festival this week.

The theme for the three-day event, which concluded on Thursday, was “Behind the Seen,” reflecting the aim of organizers to shed light on the creative process and less-visible aspects of filmmaking. The program included a diverse range of cinematic offerings celebrating the work and talent of student filmmakers, not only those studying at the school but also their peers around the globe.

Mohammed Ghazala, head of the School of Cinema Arts, set the scene with an overview of the works featured during the festival, at the heart of which were films created by students and graduates of the school, which has been a pioneer in film and animation education in the Kingdom.

Alongside the home-grown talent, the festival provided a showcase for an impressive selection of international student films. These were carefully curated from a pool of 2,150 submissions from more than 115 countries, which were whittled down to a final selection of 57 exceptional works from 27 nations: Saudi Arabia, Egypt, Lebanon, Tunisia, Yemen, Morocco, Turkey, France, Belgium, Japan, Italy, Estonia, the Czech Republic, the US, China, New Zealand, Singapore, Canada, Taiwan, Russia, Greece, Spain, Poland, India, Indonesia, Mexico and Pakistan.

The chosen films competed for awards in seven categories, including Best Saudi Feature Film, Best International Animated Film, and the prestigious Audience Award.

In addition to providing a platform for emerging filmmakers to showcase their talent and creativity, organizers said the festival also aims to foster cultural exchanges and celebrate the art of cinema on a global scale.

Integral to this is a commitment to nurturing talent and encouraging dialogue within the industry, which was reflected in a series of seminars and workshops led by industry professionals. Effat University lecturer and festival coordinator Marina Ivanseva gave an overview of the sessions, which offered insights into a wide spectrum of topics key to the craft.

They included sessions on a creative cinematic post-production workshop supported by video-streaming service Netflix, cinematography workshops conducted by film camera manufacturer ARRI, and a visual effects workshop backed by specialist studio VFX Mojo.

They were presented by renowned figures and industry insiders such as Saudi artist Sarah Taibah, Oscar-winning German director Thomas Stelmach, British professor Rut Luxemburg, American visual effects artist Matt Beck, and cinematographer James Niehaus.

There were also lectures on animation and experimental film presented by the Royal College of Arts in London, while Stellmach offered insights into his professional journey that led to the Oscars. Saudi producer Nadia Malaika shared valuable career insights, Egyptian lawyer Khaled Al-Arabi discussed legal rights in filmmaking, and Mohammed Sobeih looked at the creation of animated films using Toon Boom software. The festival concluded with a session focusing on animated cinema presented by Synergy University.

“We were thrilled to welcome numerous local and international guests who shared their cinematic experiences with us … during the 11th Showreel Effat International Student Film Festival,” said Asmaa Ibrahim, the dean of Effat College of Architecture and Design.

“Students from Dar Alhekma, King Abdulaziz, and Princess Noura (universities) in Riyadh joined us in celebration. It was a delight to host guests from prestigious institutions such as the Royal College of Art, Netflix, Maflam, Film Association and VFX Mojo, who conducted exceptional workshops. The interactive discussions were engaging and we appreciate the participation of everyone.”

Karim Sahai, a visual effects professional from France, said: “I’m proud to have been a part of this incredible festival, with such a fantastic audience and remarkable guests from all over.

“The quality of their engagement and the depth of their questions during my workshop surpassed my expectations. I truly believe I’ll return to bask in this energy once more; it’s truly inspiring.”

Beyond artistic appreciation, organizers said another aim of the festival is to help forge academic and strategic partnerships, and Effat University has built alliances with institutions such as the University of Southern California and the Red Sea Film Festival Foundation with the goal of fostering collaboration and exchange of knowledge on a global scale.