AUSTIN, United States: They may never be able to fill a stadium for a rock concert, but computers are making inroads in the music industry, capable of producing songs — and convincingly so — as illustrated at the South by Southwest festival in Texas.
Already, an album featuring eight tracks has been produced entirely with artificial intelligence, an unprecedented feat.
“I Am AI” was released last fall by YouTube star Taryn Southern, who doesn’t know how to play any instruments.
“For my first music video in 2017, I had a lot of friction as a non-musician,” the young artist told a panel discussion on Sunday at the festival running from March 8-17. “I wrote lyrics, I had a melodic line but it was difficult to compose and record the actual music.”
The pop artist said she began experimenting with AI two years ago, working with Amper, an artificial intelligence music composition software.
“In two days, I had composed a song that I could actually feel was mine,” Southern said. “It means that I don’t necessarily have to rely on other people.”
Founded in 2014 in New York by a group of engineers and musicians, Amper is part of about a dozen start-ups using artificial intelligence to break with the traditional way of making music.
The company’s co-founder and CEO, Drew Silverstein, said the aim is not to replace human composers but rather to work with them to reach their goal.
He said the company relies on tons of source material — from dance hits to classical music — to produce custom songs.
“The idea of Amper is to enable everyone to express themselves (through) music regardless of their background and skills,” Silverstein said.
The Amper app allows a user to pick a genre of music (rap, folk, rock) and a mood (happy, sad, driving) before spitting out a song. The user can then change the tempo, add instruments or switch them out until the result is satisfactory.
Two songs created by Amper at SXSW — using the public’s choice of pop and hip hop as the genres and tender or sad for the mood — clearly aren’t likely to top the charts. But the pieces were pleasant enough to the ear and perfectly usable as background music to illustrate a video or a computer game.
Such songs are described by Amper as “functional music” as opposed to “artistic music.”
Southern said she reworked the music in her own album dozens of times before she got the right tune.
“For me, it’s just a tool I can use in my creative process: I’m still the editor, I’m still in the driver’s seat,” she said.
She acknowledged, however, being terrified her album would be panned when it came out, as was the case with other innovations in music, like synthesizers or software to help artists sing right.
Jay Boisseau, a computing technologies leader and strategist, predicted that more and more music will be generated by computers in the future but the machine was unlikely to totally replace the human touch.
“We’re going to hear a lot of music composed by computers and there’s nothing wrong with that,” he said. “But computers are not very good at creativity ... they are 0 and 1.
“They can find patterns, but they’re not, like humans, particularly good to go beyond what they’ve been trained for. They are tools.”
For Lance Weiler, an American filmmaker and writer who uses AI in his work, the collaboration between machine and artist should not be sneered at.
“It mainly enables you to improve the way you work, to augment your skills in expressing creative thoughts,” he told the panel discussion.
He added there was no question that AI had its limits and inevitably fails somewhere.
“It’s like interacting with a toddler,” he joked. “It can be very temperamental. You need to put patterns so it doesn’t hurt itself.”
Silverstein underlined that while AI was useful to experiment with an objective goal, “a yes or no answer,” when it came to artistic experimentation, it was far from perfect.
For some, such arguments are not convincing, as attested by a British musician at SXSW who didn’t appear happy with the competition and questioned whether the word creativity even applied when speaking about music generated by a computer.
“It’s still an algorithm,” Boisseau conceded. “It’s doesn’t mean people won’t enjoy it, but it’s not completely new.
“With the current state of the art, it cannot be ‘creative,’” he added.
To which Silverstein quickly replied: “Not yet.”
Will artificial intelligence be the future of music?
Will artificial intelligence be the future of music?
- Already, an album featuring eight tracks has been produced entirely with artificial intelligence
- Amper is part of about a dozen start-ups using artificial intelligence to break with the traditional way of making music
A Nigerian chess champion is trying to break the world record for the longest chess marathon
- Tunde Onakoya, 29, is playing against Shawn Martinez, an American chess champion, in line with Guinness World Record
- Onakoya, who founded Chess in Slums Africa, hopes to raise $1 million for children’s education across Africa
NEW YORK: A Nigerian chess champion and child education advocate is attempting to play chess nonstop for 58 hours in New York City’s Times Square to break the global record for the longest chess marathon.
Tunde Onakoya, 29, hopes to raise $1 million for children’s education across Africa. He is playing against Shawn Martinez, an American chess champion, in line with Guinness World Record guidelines that any attempt to break the record must be made by two players who would play continuously for the entire duration.
Onakoya had played chess for 42 hours by 10:00 a.m. GMT on Friday. Support is growing online and at the scene, where a blend of African music is keeping onlookers and supporters entertained amid cheers and applause.
The current chess marathon record is 56 hours, 9 minutes and 37 seconds, achieved in 2018 by Hallvard Haug Flatebø and Sjur Ferkingstad, both from Norway.
The record attempt is “for the dreams of millions of children across Africa without access to education,” said Onakoya, who founded Chess in Slums Africa in 2018. The organization wants to support education of at least 1 million children in slums across the continent.
“My energy is at 100 percent right now because my people are here supporting me with music,” Onakoya said Thursday evening after the players crossed the 24-hour mark.
On Onakoya’s menu: Lots of water and jollof rice, one of West Africa’s best known dishes.
For every hour of game played, Onakoya and his opponent get only five minutes’ break. The breaks are sometimes grouped together, and Onakoya uses them to catch up with Nigerians and New Yorkers cheering him on. He even joins in with their dancing sometimes.
A total of $22,000 was raised within the first 20 hours of the attempt, said Taiwo Adeyemi, Onakoya’s manager.
“The support has been overwhelming from Nigerians in the US, global leaders, celebrities and hundreds of passersby,” he said.
Onakoya’s attempt is closely followed in Nigeria where he regularly organizes chess competitions for young people living on the streets to boost his cause. More than 10 million children are out of school in the West African country — one of the world’s highest rates.
Among those who have publicly supported him are celebrities and public office holders, including Nigeria’s former Vice President Yemi Osinbajo, who wrote to Onakoya on X, formerly Twitter: “Remember your own powerful words: ‘It is possible to do great things from a small place.’“
The Guinness World Record organization has yet to publicly comment about Onakoya’s attempt, which could reach 58 hours by midnight on Friday. It sometimes takes weeks for the organization to confirm any new record.
Used missiles for sale: Iranian weapons used against Israel are up for grabs on Jordan-based website
Used missiles for sale: Iranian weapons used against Israel are up for grabs on Jordan-based website
- Debris used in attack listed on OpenSooq online marketplace
LONDON: Fragments of missiles launched by Iran during the recent attack on Israel have been discovered for sale on Jordan’s prominent OpenSooq website, which is known for trading goods, including vehicles and real estate.
Al Arabiya reported on Sunday that the shrapnel was being advertised, with pieces described as “Used Iranian ballistic missile in good condition for sale,” and “One-time use ballistic missile for sale at an attractive price.”
The sellers had provided specifications and images of the missiles, describing them as “excellent type,” and mentioned their involvement in an “accident” resulting in “severe damage to the body.”
Some listings even included installment payment options.
Iran launched drones and missiles toward Israel late on Saturday as it retaliated following a suspected Israeli strike on the consulate annex building adjacent to the Iranian Embassy in Damascus, Syria, earlier this month.
While most projectiles were intercepted by a joint response from Israel, the US, UK, France, and Jordan, the attack marked Iran’s first direct military assault on Israeli territory, escalating tension and uncertainty in the region.
Following the attack, individuals shared photographs online showing debris that had fallen on Jordanian territory in areas such as Al-Hasa, Marj Al-Hamam, and Karak Governorate.
The Jordanian government confirmed that it had intercepted some flying objects in its airspace, with no reported damage or injuries.
Debris from such incidents often holds economic value. Metal debris from the Iraq War has been used by Iran-backed groups to finance their activities.
Similar items are sold online as military memorabilia, and there has been a surge in demand for such artifacts, as seen in Australia last year, preceding the country’s ban on the sale of hate symbols.
Google Doodle celebrates Lebanese-American poet and artist Etel Adnan
- Etel Adnan rose to fame for her 1977 novel Sitt Marie Rose about the Lebanese civil war
DUBAI: Google released its latest Doodle on Monday honoring Etel Adnan, a Lebanese-American poet, essayist and visual artist, considered one of the most accomplished Arab-American authors of her era.
The poet, who rose to fame for her 1977 novel Sitt Marie Rose about the Lebanese civil war, was born in Lebanon in 1925 to a Greek mother and a Syrian father, and grew up in multiple cultures, languages, nationalities and religions. Sitt Marie Rose won the France-Pays Arabes award and become a classic of war literature, so much so that it is taught in American classrooms.
In 1949, Adnan went to Paris to study philosophy at the Sorbonne before going to America to study at Harvard and Berkeley.
From 1958 to 1972, she taught philosophy in California, during which time she also started painting and writing poetry. She developed her literary voice in English and said abstract painting was the entry point into her native Arabic.
Adnan returned to Beirut, where from 1972 to 1976 she worked as the arts editor for two newspapers. She returned to California in 1979, then spent her later years living between Paris and Beirut.
In 2003, Adnan was named “arguably the most celebrated and accomplished Arab American author writing today” by the academic journal MELUS: Multi-Ethnic Literature of the United States.
Adnan’s most recent honor was in 2020. Her poetry collection “Time,” which is a selection of her work — translated from French by Sarah Riggs — won the Griffin Poetry Prize.
The King Abdulaziz Center for World Culture, or Ithra, earlier this year opened an eponymous exhibition in her honor – “Etel Adnan: Between East and West” – showcasing 41 of her works. The space at Ithra’s gallery is the first solo exhibition of Adnan’s work in Saudi Arabia, running until June 30.
The works on display span from the beginning of Adnan’s artistic career in the late 1950s through to her final creations in 2021, shortly before her death that year aged 96.
Some of the works are on loan from significant international institutions such as the Sharjah Art Foundation, Sfier-Semler Gallery and Sursock Museum. Some are part of private collections.
‘HELP’ written in palm fronds lands rescue for Pacific castaways
- The trio became stranded on Pikelot Atoll, a tiny island in the remote Western Pacific, after their motor-powered skiff malfunctioned
- A US Navy aircraft saw the "help" sign and a ship came later to rescue the stranded trio, all experienced mariners in their 40s
LOS ANGELES: Sometimes all you have to do is ask for “HELP“: That’s what three men stranded on a deserted Pacific island learned earlier this week, writing the message in palm fronds which were spotted by US rescuers.
The trio, all experienced mariners in their 40s, became stranded on a lonely island after setting off from Micronesia’s Polowat Atoll on March 31 in their motor-powered skiff which subsequently experienced damage.
They were reported missing last Saturday by a woman who told the US Coast Guard her three uncles never returned from Pikelot Atoll, a tiny island in the remote Western Pacific.
“In a remarkable testament to their will to be found, the mariners spelled out ‘HELP’ on the beach using palm leaves, a crucial factor in their discovery,” said search and rescue mission coordinator Lt. Chelsea Garcia.
She reported that the trio was discovered Sunday on Pikelot Atoll by a US Navy aircraft.
“This act of ingenuity was pivotal in guiding rescue efforts directly to their location,” she said.
The aircraft crew dropped survival packages, and rescuers one day later dropped a radio which the mariners used to communicate that they were in good health, had access to food and water, and that the motor on their 20-foot (six-meter) skiff was no longer working.
On Tuesday morning a ship rescued the trio and their equipment, returning them to Polowat Atoll, the Coast Guard said.
In August 2020, three Micronesian sailors also stranded on Pikelot were rescued after Australian and US warplanes spotted a giant “SOS” they had scrawled on the beach.
Dining hall with Trojan War decorations uncovered in ancient Roman city of Pompeii
- One fresco depicts Paris and Helen, whose love affair caused the Trojan War, according to classical accounts
- Pompeii and the surrounding countryside was submerged by volcanic ash when Mount Vesuvius exploded in AD 79
ROME: A black-walled dining hall with 2,000-year-old paintings inspired by the Trojan War has been discovered during excavations at the Roman city of Pompeii, authorities said on Thursday.
The size of the room — about 15 meters long and 6 meters wide — the quality of the frescoes and mosaics from the time of Emperor Augustus, and the choice of characters suggest it was used for banquets, Pompeii Archaeological Park said.
“The walls were painted black to prevent the smoke from the oil lamps being seen on the walls,” Gabriel Zuchtriegel, head of the park, said.
“People would meet to dine after sunset, and the flickering light of the lamps had the effect of making the images appear animated, especially after a few glasses of good Campanian wine.”
Pompeii and the surrounding countryside was submerged by volcanic ash when Mount Vesuvius exploded in AD 79, killing thousands of Romans who had no idea they were living beneath one of Europe’s biggest volcanoes.
The site has seen a burst of archaeological activity aimed at halting years of decay and neglect, largely thanks to a 105-million-euro ($112 million) European Union-funded project.
The dominant theme of the newly discovered paintings is heroism and fate.
One fresco depicts Paris and Helen, whose love affair caused the Trojan War, according to classical accounts. Another one shows doomed prophetess Cassandra and the Greco-Roman god Apollo.
According to Greek mythology, Cassandra predicted the Trojan War after receiving the gift of foresight from Apollo, but no-one believed her. This was because of a curse Apollo put upon her for refusing to give herself to him.
