Into the arena for camel wrestling in Turkey

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People attend the Selcuk Camel wrestling festival in the town of Selcuk, near the western Turkish coastal city of Izmir, on January 20, 2019. (AFP / BULENT KILIC)
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A boy leaves the arena with a camel after winning a fight during the Selcuk Camel wrestling festival in the town of Selcuk, near the western Turkish coastal city of Izmir, on January 20, 2019. (AFP / BULENT KILIC)
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Wrestling camels fight at the Pamucak arena during the annual Selcuk-Efes Camel Wrestling Festival in the Aegean town of Selcuk, near Izmir, Turkey, on January 20, 2019. (REUTERS/Murad Sezer)
Updated 24 January 2019
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Into the arena for camel wrestling in Turkey

  • Camel culture in Turkey dates back to the Yoruks, a nomadic people whose ancestors were the ancient warrior Selcuks
  • Animal rights groups often call for the fights to end, denouncing them as cruel

SELCUK, Turkey: Erol Bilgin has high hopes. His camel, Kara Elmas (Black Diamond), might not have won the beauty contest the day before, but it might well fare better in the main event, the wrestling competition.
The two large camels stand face to face, sizing each other up, before throwing themselves head-first at one another.
Each animal struggles to bite its adversary’s feet to topple them, their long necks interlocking as the crowd cheers.
More than 2,000 people, many settled around little tables for picnics, spur on their favorite to win.
There are boos too, for those owners down in the arena who intervene too much in the matches.
The contests take place in the western Turkish town of Selcuk, at a site just a few minutes from the Aegean coast.
In the fighting arena that day, 124 camels wrestled each other in short duels — part of a centuries-old Turkish tradition.
Camel culture in Turkey dates back to the Yoruks, a nomadic people whose ancestors were the ancient warrior Selcuks, who arrived in Anatolia during the 11th century.
The first camel fight was formally organized in the region around the 1830s, says Devrim Erturk, an academic at Dokuz Eylul University in Selcuk.
As the nomads settled, the camels were used for the transport of goods, mainly toward the western ports of Turkey.
“And the cameleers started to make their camels fight” in the places they stopped at in the region, Erturk said.
He himself owns several camels, including a two year-old male that he wants to see wrestle in the arena.
Nearly 90 such events have been organized to take place in the region from Canakkale in the northwest to Antalya in the southwest between December and March.
This is the reproductive season for camels — when the males who fight are naturally more aggressive — and a quieter period for residents, as agricultural activity slows in the winter.
<b>“Cruel culture”</b>
Animal rights groups often call for the fights to end, denouncing them as cruel.
But everyone at the arena insisted that all necessary measures are taken to protect the camels, including tying a cord around their mouth to limit the opening and biting.
“For a cameleer, their camel is very precious... so the owners do all they can to ensure no harm comes to (their animal),” said Erturk.
“Many carry the name of the cameleer’s children. My father gave my name, Devrim, to one of his camels.”
The Selcuk festival, one of the most important, is held every year on the third weekend of January.
One of those in the audience is Abdullah Altintas, who has come to watch with his wife, Nilgun.

“My father and grandfather had camels, it’s an ancestral tradition. Alas, I don’t have any but I go to see all the duels,” he told AFP.
<b>Beauty contest and wrestling</b>
On the first day, there was the beauty contest, on the second, the main event — the wrestling.
That first day, owners paraded their champions through the town for local people to see.
The camels crossed the market dressed in colorful fabrics with their names embroidered on, garlands of bells and the Turkish flag.
Bilgin, from the nearby Mugla province, caressed his nine year-old camel Kara Elmas, whom the jury had not favored this time in the beauty contest.
“Obviously each person believes their camel is the most beautiful,” he says.
The two spend around 10 hours a day together, adds Bilgin, picking a straw from the thick fur of his camel, who he describes as “calm, respectful and sensitive.”
Selcuk mayor Dahi Zeynel Bakici is a champion of the festival. “Camel culture has declined, but we want to keep it going,” he told AFP.
To this end, in addition to the fights, an international symposium had been organized in Selcuk for the third year in a row, with around 100 participants.
The aim, said Bakici, is to continue the traditions in order to eventually secure a coveted place on the UNESCO list recognizing intangible cultural heritage.
<b>Camel meat</b>
The next morning, in the dark warehouse where Kara Elmas has spent the night, Bilgin makes sure everything is fine.
Because of the long distance they traveled the day before, his camel was “a little agitated but here he was able to relax before the fight,” he says.
“He knows what happens next.”
Around the arena, people stroll between the camels and the grilled sausage stands — all certified “100-percent camel meat.”
From early on in the day, the mostly-male audience enjoys their picnic with a glass of raki, a strong anizeed-flavored liquor.
But this does not prevent them from reciting verses from the Qur’an before the festivities begin.
The fights, for which there are no prizes, last a few minutes. They end after one camel manages to topple the other, or forces them to run away.
Many of the duels end in a tie, with neither camel able to make the other submit.
Down in the wrestling arena with their camels, the owners urge their charges on, trying to push their sometimes uninterested proteges into combat.
On occasion, security guards even have to step in to separate owners who themselves have come to blows.
When the name of his camel is announced, Bilgin leads Kara Elmas into the arena, parading the animal in front of the spectators before lining him up with his adversary.
The two camels throw themselves at each other, each repeatedly brought to their knees as they try to throw each other off balance.
But neither falls, the judges declare a tie and the camels are separated.
Bilgin is ecstatic.
“I am so emotional. He fought very well, beyond my expectations. I am really proud,” he says, stroking the imperturbable camel’s neck.


A Nigerian chess champion is trying to break the world record for the longest chess marathon

Updated 20 April 2024
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A Nigerian chess champion is trying to break the world record for the longest chess marathon

  • Tunde Onakoya, 29, is playing against Shawn Martinez, an American chess champion, in line with Guinness World Record
  • Onakoya, who founded Chess in Slums Africa, hopes to raise $1 million for children’s education across Africa

NEW YORK: A Nigerian chess champion and child education advocate is attempting to play chess nonstop for 58 hours in New York City’s Times Square to break the global record for the longest chess marathon.

Tunde Onakoya, 29, hopes to raise $1 million for children’s education across Africa. He is playing against Shawn Martinez, an American chess champion, in line with Guinness World Record guidelines that any attempt to break the record must be made by two players who would play continuously for the entire duration.
Onakoya had played chess for 42 hours by 10:00 a.m. GMT on Friday. Support is growing online and at the scene, where a blend of African music is keeping onlookers and supporters entertained amid cheers and applause.
The current chess marathon record is 56 hours, 9 minutes and 37 seconds, achieved in 2018 by Hallvard Haug Flatebø and Sjur Ferkingstad, both from Norway.
The record attempt is “for the dreams of millions of children across Africa without access to education,” said Onakoya, who founded Chess in Slums Africa in 2018. The organization wants to support education of at least 1 million children in slums across the continent.
“My energy is at 100 percent right now because my people are here supporting me with music,” Onakoya said Thursday evening after the players crossed the 24-hour mark.
On Onakoya’s menu: Lots of water and jollof rice, one of West Africa’s best known dishes.
For every hour of game played, Onakoya and his opponent get only five minutes’ break. The breaks are sometimes grouped together, and Onakoya uses them to catch up with Nigerians and New Yorkers cheering him on. He even joins in with their dancing sometimes.
A total of $22,000 was raised within the first 20 hours of the attempt, said Taiwo Adeyemi, Onakoya’s manager.
“The support has been overwhelming from Nigerians in the US, global leaders, celebrities and hundreds of passersby,” he said.
Onakoya’s attempt is closely followed in Nigeria where he regularly organizes chess competitions for young people living on the streets to boost his cause. More than 10 million children are out of school in the West African country — one of the world’s highest rates.
Among those who have publicly supported him are celebrities and public office holders, including Nigeria’s former Vice President Yemi Osinbajo, who wrote to Onakoya on X, formerly Twitter: “Remember your own powerful words: ‘It is possible to do great things from a small place.’“
The Guinness World Record organization has yet to publicly comment about Onakoya’s attempt, which could reach 58 hours by midnight on Friday. It sometimes takes weeks for the organization to confirm any new record.
 


Used missiles for sale: Iranian weapons used against Israel are up for grabs on Jordan-based website

Updated 16 April 2024
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Used missiles for sale: Iranian weapons used against Israel are up for grabs on Jordan-based website

  • Debris used in attack listed on OpenSooq online marketplace

LONDON: Fragments of missiles launched by Iran during the recent attack on Israel have been discovered for sale on Jordan’s prominent OpenSooq website, which is known for trading goods, including vehicles and real estate.

Al Arabiya reported on Sunday that the shrapnel was being advertised, with pieces described as “Used Iranian ballistic missile in good condition for sale,” and “One-time use ballistic missile for sale at an attractive price.”

The sellers had provided specifications and images of the missiles, describing them as “excellent type,” and mentioned their involvement in an “accident” resulting in “severe damage to the body.”

Some listings even included installment payment options.

Iran launched drones and missiles toward Israel late on Saturday as it retaliated following a suspected Israeli strike on the consulate annex building adjacent to the Iranian Embassy in Damascus, Syria, earlier this month.

While most projectiles were intercepted by a joint response from Israel, the US, UK, France, and Jordan, the attack marked Iran’s first direct military assault on Israeli territory, escalating tension and uncertainty in the region.

Following the attack, individuals shared photographs online showing debris that had fallen on Jordanian territory in areas such as Al-Hasa, Marj Al-Hamam, and Karak Governorate.

The Jordanian government confirmed that it had intercepted some flying objects in its airspace, with no reported damage or injuries.

Debris from such incidents often holds economic value. Metal debris from the Iraq War has been used by Iran-backed groups to finance their activities.

Similar items are sold online as military memorabilia, and there has been a surge in demand for such artifacts, as seen in Australia last year, preceding the country’s ban on the sale of hate symbols.

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Google Doodle celebrates Lebanese-American poet and artist Etel Adnan

Updated 15 April 2024
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Google Doodle celebrates Lebanese-American poet and artist Etel Adnan

  • Etel Adnan rose to fame for her 1977 novel Sitt Marie Rose about the Lebanese civil war

DUBAI: Google released its latest Doodle on Monday honoring Etel Adnan, a Lebanese-American poet, essayist and visual artist, considered one of the most accomplished Arab-American authors of her era.

The poet, who rose to fame for her 1977 novel Sitt Marie Rose about the Lebanese civil war, was born in Lebanon in 1925 to a Greek mother and a Syrian father, and grew up in multiple cultures, languages, nationalities and religions. Sitt Marie Rose won the France-Pays Arabes award and become a classic of war literature, so much so that it is taught in American classrooms.

In 1949, Adnan went to Paris to study philosophy at the Sorbonne before going to America to study at Harvard and Berkeley.

From 1958 to 1972, she taught philosophy in California, during which time she also started painting and writing poetry. She developed her literary voice in English and said abstract painting was the entry point into her native Arabic.

Adnan returned to Beirut, where from 1972 to 1976 she worked as the arts editor for two newspapers. She returned to California in 1979, then spent her later years living between Paris and Beirut.

In 2003, Adnan was named “arguably the most celebrated and accomplished Arab American author writing today” by the academic journal MELUS: Multi-Ethnic Literature of the United States.

Adnan’s most recent honor was in 2020. Her poetry collection “Time,” which is a selection of her work — translated from French by Sarah Riggs — won the Griffin Poetry Prize.

The King Abdulaziz Center for World Culture, or Ithra, earlier this year opened an eponymous exhibition in her honor – “Etel Adnan: Between East and West” –  showcasing 41 of her works. The space at Ithra’s gallery is the first solo exhibition of Adnan’s work in Saudi Arabia, running until June 30.

The works on display span from the beginning of Adnan’s artistic career in the late 1950s through to her final creations in 2021, shortly before her death that year aged 96.

Some of the works are on loan from significant international institutions such as the Sharjah Art Foundation, Sfier-Semler Gallery and Sursock Museum. Some are part of private collections.


‘HELP’ written in palm fronds lands rescue for Pacific castaways

Updated 12 April 2024
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‘HELP’ written in palm fronds lands rescue for Pacific castaways

  • The trio became stranded on Pikelot Atoll, a tiny island in the remote Western Pacific, after their motor-powered skiff malfunctioned
  • A US Navy aircraft saw the "help" sign and a ship came later to rescue the stranded trio, all experienced mariners in their 40s

LOS ANGELES: Sometimes all you have to do is ask for “HELP“: That’s what three men stranded on a deserted Pacific island learned earlier this week, writing the message in palm fronds which were spotted by US rescuers.

The trio, all experienced mariners in their 40s, became stranded on a lonely island after setting off from Micronesia’s Polowat Atoll on March 31 in their motor-powered skiff which subsequently experienced damage.
They were reported missing last Saturday by a woman who told the US Coast Guard her three uncles never returned from Pikelot Atoll, a tiny island in the remote Western Pacific.
“In a remarkable testament to their will to be found, the mariners spelled out ‘HELP’ on the beach using palm leaves, a crucial factor in their discovery,” said search and rescue mission coordinator Lt. Chelsea Garcia.
She reported that the trio was discovered Sunday on Pikelot Atoll by a US Navy aircraft.
“This act of ingenuity was pivotal in guiding rescue efforts directly to their location,” she said.
The aircraft crew dropped survival packages, and rescuers one day later dropped a radio which the mariners used to communicate that they were in good health, had access to food and water, and that the motor on their 20-foot (six-meter) skiff was no longer working.
On Tuesday morning a ship rescued the trio and their equipment, returning them to Polowat Atoll, the Coast Guard said.
In August 2020, three Micronesian sailors also stranded on Pikelot were rescued after Australian and US warplanes spotted a giant “SOS” they had scrawled on the beach.
 


Dining hall with Trojan War decorations uncovered in ancient Roman city of Pompeii

Updated 12 April 2024
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Dining hall with Trojan War decorations uncovered in ancient Roman city of Pompeii

  • One fresco depicts Paris and Helen, whose love affair caused the Trojan War, according to classical accounts
  • Pompeii and the surrounding countryside was submerged by volcanic ash when Mount Vesuvius exploded in AD 79

ROME: A black-walled dining hall with 2,000-year-old paintings inspired by the Trojan War has been discovered during excavations at the Roman city of Pompeii, authorities said on Thursday.
The size of the room — about 15 meters long and 6 meters wide — the quality of the frescoes and mosaics from the time of Emperor Augustus, and the choice of characters suggest it was used for banquets, Pompeii Archaeological Park said.

A fresco of a mythological character inspired by the Trojan War is seen in this handout picture taken in the ancient archeological site of Pompeii and released on April 11, 2024. (Parco Archeoligico di Pompei/Handout via REUTERS)

“The walls were painted black to prevent the smoke from the oil lamps being seen on the walls,” Gabriel Zuchtriegel, head of the park, said.
“People would meet to dine after sunset, and the flickering light of the lamps had the effect of making the images appear animated, especially after a few glasses of good Campanian wine.”
Pompeii and the surrounding countryside was submerged by volcanic ash when Mount Vesuvius exploded in AD 79, killing thousands of Romans who had no idea they were living beneath one of Europe’s biggest volcanoes.
The site has seen a burst of archaeological activity aimed at halting years of decay and neglect, largely thanks to a 105-million-euro ($112 million) European Union-funded project.

A fresco of a mythological character inspired by the Trojan War is seen in this handout picture taken in the ancient archeological site of Pompeii and released on April 11, 2024. (Parco Archeoligico di Pompei/Handout via REUTERS)

The dominant theme of the newly discovered paintings is heroism and fate.
One fresco depicts Paris and Helen, whose love affair caused the Trojan War, according to classical accounts. Another one shows doomed prophetess Cassandra and the Greco-Roman god Apollo.
According to Greek mythology, Cassandra predicted the Trojan War after receiving the gift of foresight from Apollo, but no-one believed her. This was because of a curse Apollo put upon her for refusing to give herself to him.