Book Review: ‘Hookah Nights’ explores life in an ever-changing Egypt

In her latest collection of vivid short stories, “Hookah Nights,” author Anne-Marie Drosso takes her readers through Egypt’s political history. (Shutterstock)
Updated 19 November 2018
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Book Review: ‘Hookah Nights’ explores life in an ever-changing Egypt

CHICAGO: In her latest collection of vivid short stories, “Hookah Nights,” author Anne-Marie Drosso takes her readers through Egypt’s political history. Through Drosso’s 14 stories, one journeys through time, beginning with the Suez Crisis, and ends up knee-deep in the Arab Spring. While each story centers on the politics that alter the country, each also touches on the people affected by those politics — Egyptians and foreigners alike.

From the dry, hot winds of the khamaseens — cyclonic-type winds — that cover Cairo’s streets in dust and sand and welcome spring, to the shores of Alexandria and the pull of the Mediterranean Sea, Drosso introduces the reader to the landscape of Egypt and its multifaceted characters. Her characters’ lives revolve around politics — they have lost and gained through their leaders’ decisions and have had their futures altered by the governing powers in Egypt. From foreign diplomats and unwanted international attention, to argumentative brothers, troubled spouses, wayward journalists, revolutionaries and home-grown heroes and villains, Drosso showcases the difficult decisions one must make in order to secure a stable future.

Drosso’s characters live ordinary lives, but each is driven by politics, whether they know it or not. Her stories are about adjusting to life in an ever-changing landscape as much as they are about the rule of the land. From Gamal Abdel Nasser to Muhammad Mursi and the rise of the military under Abdel Fattah El-Sisi, each story plunges head-first into Egypt’s streets to understand its complex politics.

Able to show Egypt in different shades of light, Drosso’s stories bring some characters together and pull others apart. She touches upon generational differences in thinking and explores how staunch minds can sometimes cave in the face of adversity and fear.

Drosso portrays a full spectrum of relatable citizens, their fears and joys transcending borders. Her stories weave in and out of one another seamlessly, as if moving from city to city, street to street, peering into windows of homes and the families that occupy them. The ever-present common thread among all her characters is the resilience with which they live in an ever-changing Egypt.

Drosso was born in Egypt and is the author of another short-story collection and novel. “Hookah Nights” was published by Darf Publishers.

 


Egyptian novel explores Christians under controlling church

Updated 13 December 2018
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Egyptian novel explores Christians under controlling church

  • The novel tells the story of a young Christian man in Cairo, Sherif, who has abandoned the church
  • It explores what the author says is the victimization of Egypt’s Christians by a “politically engineered harmony” between the state and their own church

CAIRO: Shady Lewis Botros says his recently published novel — “Ways of the Lord” — can be broadly viewed as an attempt to answer one question: What it’s like to be a Christian in Egypt?
The answer, given in stories narrated by the book’s chief character, is complex and often disheartening. It’s giving your children neutral names that don’t identify them as Christians in hopes they’ll have a sporting chance of progress in the mainly Muslim nation. It means facing baseless but dangerous charges of spying for Israel at time of war. It means turning off the lights at home and gathering the family in one room to escape the attention of a Muslim mob on the street.
Beyond entrenched discrimination, the Arabic-language novel explores what the author says is the victimization of Egypt’s Christians by a “politically engineered harmony” between the state and their own church, seeking to control their lives.
“Ways of the Lord” is a rare example of an Egyptian work of fiction whose primary characters are Christian. The result breaks stereotypes that many of the country’s Muslims hold about their minority compatriots. But it also turns the look inward, dispelling the secrecy surrounding the ancient Coptic Orthodox Church — the predominant denomination in Egypt — and addressing its controlling practices and its rivalries with smaller churches.
“Most Coptic literature is about the discrimination or oppression Christians endure with a dose of rights advocacy. That’s understandable but that is also about as far as it goes,” Botros told The Associated Press in a telephone interview from London, his home of 13 years. “This work introduces Egyptians to the reality of Copts as a people who are not always praying, singing hymns and waiting on every word from the church. The novel opens the world of Copts to both Copts and Muslims.”
The novel, the author’s first, takes on added relevance because the Coptic Church leadership has adhered closer than ever to the government. It’s an alliance that gives the community a measure of protection but has raised questions over its independence and has drawn the wrath of Islamic militants, who have over the past two years killed more than a 100 Christians in attacks.
The church’s unity is also being tested, partially over calls for it to modernize some of its rigid rules, like those governing marriage and divorce. The killing in July of the abbot of a monastery, for which two monks are on trial, has led to soul searching about the practices of monasticism, traditionally a cornerstone of the church’s identity.
The novel tells the story of a young Christian man in Cairo, Sherif, who has abandoned the church. He’s in a relationship with a German woman, but to marry her he must first get a church document. So he goes to his neighborhood priest each week for interviews that turn into confessionals.
Sherif relates a series of tales to explain to the priest why he never comes to church. He tells of his family’s past rebellions, like a grandfather who left the Coptic Church because the priest would not baptize his newborn child before her death.
As a young man, he says, he hopped from one Christian denomination to another to explore his identity. His father is cynical about his spiritual search, telling his son, “Generally, they are all con artists.”
The confession sessions with the priest are one of two plot tracks running through the novel. The other follows Sherif’s political activism, which lands him in trouble with the police. His one hope to escape jail time is to marry his girlfriend and go to Germany, but in the end, the girlfriend returns home. He spends a year in jail for a white-collar crime he did not commit.
“Sherif was painted as a character in crisis and that’s not just on account of being a member of a minority, but rather as someone facing an existential crisis over his problems with the church and the state,” said literary critic Ahmed Shawqy Ali.
The novel ends with Sherif surrendering to the powers that crush his rebellion. Jobless after losing his government engineering job, he survives on a small income from doing little jobs for the church, while telling his stories to whoever will listen. “The ways of the Lord are strange and tough to understand,” Sheriff says of his return to the church’s embrace.
Botros said the book’s “fatalistic” ending “shows that, in a place like Egypt, religious minorities like Christians don’t have many choices.”
The church presents itself as the protector of Egypt’s Copts, and many in the community adhere to it fervently.
“The church is a peacemaker that is in harmony with everyone, from the ruling government and civil society groups to Al-Azhar,” said a church spokesman, Boulis Halim, referring to the top Muslim institution in Egypt. “We cannot deny that there are shortcomings in some respects, especially the social field, but that will evolve going forward.”
But critics say the interests of individual Christians get lost under the church’s communal leadership.
Kamal Zakher, a Christian who is one of Egypt’s top experts on the Coptic Church, said the church has become a “hostage” to the government for safety, particularly since the rise of Islamic hard-liners starting in the 1970s.
It and the government leadership deal with each other directly, but “they have all forgotten that ordinary Christians deal on daily basis with bureaucrats who, like everyone else, have been influenced by that Islamic revival,” Zakher said.
Karoline Kamel, a researcher on church affairs from the Egyptian Initiative for Personal Rights, said the novel’s main character is not typical of Coptic youth, who in large part associate closely with the church. But she said the novel gets the theme of control right.
“The church’s protection is focused on itself as an institution, as walls and buildings regardless of what happens to Christians,” she said.