Highlights from the fifth annual Saudi Design Week

Art of heritage pieces. (Supplied)
Updated 11 October 2018

Highlights from the fifth annual Saudi Design Week

  • Saudi design week showcased a variety of different designers and artists

DUBAI: Saudi Design Week wrapped up last week and offered visitors a wealth of innovative creations. We picked out some of our favorites just in case you missed the show.

The theme of Saudi Design Week this year was “Sustainability in Design.” While each exhibitor interpreted that concept in their own way, Desert Designs was already a natural fit. The Khobar-based company creates upcycled homeware and —  for Design Week —  focused on using “heritage and heirloom pieces,” including a wooden door that the designers transformed into a glass-topped coffee table.

The Saudi Arabian luxury fashion brand uses traditional techniques including embroidery and sadu to create its womenswear, in keeping with its mission to “celebrate culture and preserve craftsmanship” in contemporary design. It’s feminine take on the farwa —  originally an oversized coat worn by desert nomads in the winter, adapted by Abadia for “the contemporary global woman,” is its most celebrated garment.

This beautifully crafted take on the traditional Khaleeji zamzamiah water canteen comes from Jeddah-based Efreez Studio. The designers claim that this version, handmade from red clay, is a healthy option, being free of the “harmful lead and chemicals found in the majority of plastic water bottles.” Each piece, the studio claims, is unique, thanks to the handcrafted top section, and the fact that this “mix of functional art and hydration” is made on a potter’s wheel and corked means it fits well with the sustainability theme of Design Week.

A Design Week veteran, Kabli —  an “interior architect” —  creates furniture with a twist. Sometimes literally. The main concept behind her “Kappa” collection, she has said, is “to present the beauty of geometric design by creating harmony and illusion of movement.”

Old Castle founder Amal bint Bandar Alsudairy combines her love of art, antiques and design in her contemporary homeware and furniture pieces. Her design is predominantly based, she says, on “modern arabesque.” Alsudairy is currently studying for a master’s degree in architectural design.

Riyadh-based Art of Heritage displayed handmade pottery and gifts from its non-profit organization Yadawy, so all the pieces are created by Saudi Arabian women with physical disabilities, all are unique, and all are stamped and signed by their makers, some of whom are now able to make a living from their art.

Bouzo is one of the co-founders of Saudi Design Week, and interpreted the ‘sustainability’ theme to mean “sustaining our heritage” as well as using sustainable materials. As such, her eye-catching miniatures are recreations of historical Islamic art painted on reclaimed wood and recycled material.

It might look like a fancy food blender or juicer, but Nota Nota is actually a machine that allows users to design their own perfume. Created by Saudi Arabian entrepreneur Abdullah Bahabri, Nota Nota comes with its own app (of course it does), which enables users to share their fragrant (or not) recipes with others. Earlier this summer, talking about his creation to Kawa News, Bahabri said, “In Arabia, perfume has been part of the culture for centuries. The famous scent codes are built on oudh, particularly. And nowadays French perfumery is also very common in Saudi, people do love to wear both French perfume and scents that come from the region.”

Ranin Kurdi and Sufanah Dairi create handmade wooden art that draws inspiration from their Arabic and Islamic heritage, with influences including calligraphy, particularly Kufic design. Their machine-free craftsmanship results in striking pieces of art that rely heavily on history while retaining a modern touch.


King Abdul Aziz Foundation archives around 6,000 interviews with Saudis

Researching and recording oral histories can give a sense of cultural value. (Photo/Social media)
Updated 22 October 2018

King Abdul Aziz Foundation archives around 6,000 interviews with Saudis

  • Darah assigned a number of specialized teams to carry out visits to the Kingdom’s different regions

RIYADH: The Oral History Center of the King Abdul Aziz Foundation for Research and Archives (Darah) has archived around 6,000 interviews with Saudi nationals past and present, said the Saudi Press Agency.
The Saudi Oral History Center was established in 1997. It was the third of its kind in the world, after the United States and Britain.
Darah hosts millions of books, recordings, photographs, maps and manuscripts and is considered the main source of Saudi national history inside the Kingdom, and abroad through the Oral History Center.
Darah assigned a number of specialized teams to carry out visits to the Kingdom’s different regions, speak to citizens about their histories, study sources of national history, and document the accounts of those who directly or indirectly contributed to the Kingdom’s history.
It conducted audio-visual interviews with many contemporaries and witnesses, and transcribed them, and investigated those stories based on scientific and technical protocols. It did this in cooperation with universities and international centers specializing in oral history, and with national and regional institutions interested in oral history and heritage.
Darah sees oral history — a precise account from eyewitnesses, or reported contemporary accounts — as an important resource. Many Western countries place great emphasis on oral histories and have established specialized centers to record and preserve such accounts.
The Foundation also considers oral histories a useful tool that can fill gaps left in recorded history, especially regarding personal histories of families.
Researching and recording oral histories can also provide the elderly with a sense of value and bring generations closer together.