World Obesity Day: A growing number of Gulf youth are having bariatric surgery

“Studies have shown between 20 and 30 percent of children under the age of 18 in Saudi are overweight or obese,” says surgeon Dr. Aayed Alqahtani.
Updated 11 October 2018
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World Obesity Day: A growing number of Gulf youth are having bariatric surgery

  • A Saudi surgeon who is an expert in bariatric procedures will operate on children if it saves their lives
  • A Dubai doctor says there is a ‘serious incidence of obesity among children in the Middle East’ 

DUBAI: Rocketing obesity rates among children and adolescents in Saudi Arabia and the wider Middle East are leading to a growing number of young patients going under the knife for bariatric surgery.

Surgeons say region-wide awareness and prevention measures to tackle obesity are needed in homes, communities and in schools as they blame widespread access to unhealthy foods and sedentary behaviour for soaring numbers of severely overweight children.

Saudi surgeon Dr. Aayed Alqahtani, professor and consultant of minimally invasive and obesity surgery at King Saud University, told Arab News that over the past decade he has performed bariatric surgery on some 2,900 children and adolescents, including a four-year-old Saudi boy who weighed 70kg.

“His weight was killing him,” said Alqahtani. “A year later, thanks to bariatric surgery, he lost almost 20kg. It saved his life.”

Bariatric surgery includes a variety of procedures performed on people who are obese (those with a Body Mass Index of 30 or more) or morbidly obese (a BMI higher than 40). A person’s ideal BMI should be between 18.5 and 25.

The most common weight-loss surgeries involve either reducing the size of the stomach with a gastric band — restricting food intake — or non-reversible procedures that involve removing of a portion of the stomach or by re-routing the small intestine to a small stomach pouch.

Alqahtani said “more and more children” in the Middle East are having bariatric surgery. “It correlates with the rising number of obese children,” he said. “Studies have shown between 20 and 30 percent of children under the age of 18 in Saudi are overweight or obese. I would say this is the same in many Gulf states.”

Families from the Middle East travel to Saudi Arabia specifically to seek the help of Alqahtani, a renowned bariatric surgeon who is adamant — despite mixed views worldwide — that radical weight-loss surgery should be used on children of “any age” if their health is critically threatened by their size. 

There are no standards at which bariatric surgery is presented as an option for severely obese adolescents, but many countries set minimum age limits as guidelines for surgeons. In the UAE, for example, while guidelines differ by emirate, in Abu Dhabi and Dubai there are regulations suggesting surgeons should not operate on those under the age of 18. 

“People are concerned about bariatric surgery,” said Alqahtani. “Why? They believe that bariatric surgery will stunt a child’s growth, think children are not compliant, and they ask who has given consent for them to have this surgery.”

Alqahtani has published a series of research papers on the benefits of bariatric surgery, including a five-year study which followed the health progress of two groups of children; one who had undergone bariatric surgery and another who had followed traditional weight management techniques. On average, the children who had undergone surgery actually grew 10 centimeters taller than those who had not.

“Why? Because among other things, obesity stunts growth,” said Alqahtani. “Children ARE in fact compliant — despite beliefs of the contrary — and regarding consent, well, we should treat obesity like we would treat any other serious chronic disease. If you have cancer in a child would you wait until he is 18? No, you will discuss what is in the best interest of that child and make a decision.”

Children with severe obesity are at risk for health problems including Type 2 diabetes, sleep apnea, liver diseases and hypertension.

While Alqahtani advocates surgery as “by no means a first option” — stressing children who are eligible for surgery have spent months attempting traditional weight loss methods — he believes it should never be ruled out. “I would say, why should we wait until children are dying from these obesity-related diseases? Age should not be an issue.”

Alqahtani, who has performed more than 10,000 bariatric surgeries over his career, believes Gulf countries have the highest percentage of bariatric procedures, which include sleeve gastrectomy, gastric bypass and the placement of a gastric band, performed in the world. He himself has operated on a 21-year-old who weighed 610kg, having struggled with obesity since childhood. Today the patient weighs 68kg.

The fact that so many children and adolescents are undergoing radical weight loss surgery is an indicator of the obesity epidemic across the Kingdom and wider Middle East.




Children should be taught that a healthy lifestyle should be a daily routine and a lifetime habit, say the experts.

Last month, 2,500 health specialists from around the globe gathered in Dubai for the annual World Congress of International Federation for the Surgery of Obesity and Metabolic Disorders (IFSO 2018), hosted by Gulf Obesity Surgery Society (GOSS).

Dr. Faruq M. Badiuddin, head of the organizing committee for IFSO and a laparoscopic, gastrointestinal and obesity surgeon in Dubai, said there is a “serious incidence of obesity among children in the Middle East.” 

“It is really a combination of all the things we talk about in relation to obesity; it is a sedentary lifestyle among children as well as a huge excess of food and the wrong types of food. The problem is, we know obese children grow up to be obese adults. That is a fact.”

Badiuddin, an Egyptian, said weight-loss surgery among children varies across the Gulf. “Saudi, for example, is probably one of the only places in the world where the incidences of bariatric surgery in children are very high,” he said. “A lot of surgeries are done there.” 

Compare that, he said, to the neighbouring UAE, where a single governmental hospital in Sharjah is the only one that allows bariatric surgery for under-18s. 

Dr. Basim Alkhafaji, consultant laparoscopic, gastrointestinal and obesity surgeon at Dubai’s Canadian Specialist Hospital, said bariatric surgery is recognized as an effective and relatively safe procedure for morbidly obese adults.

However, with children, there are concerns about the non-surgical risks revolving around a children’s development, chiefly the effect nutritional changes will have on a still-growing body. “When you are cutting something from the stomach, you are altering the autonomy of the body — so there are some objections from the endocrinologist and the dieticians. 

“Always, they urge surgeons not to jump to this step unless it is a hopeless case, a case where a child is unable to do any sports or activities, cannot control himself with food and cannot follow instructions from specialists. We also look at the psychological state of the child.”

So should young children be offered bariatric surgery? Dr. Alkhafaji is unequivocal about his answer. “If there is no other option then surgery is the right thing,” he said. “When you get a child who is aged 10 and reaching 100kg, psychologically he will be in a bad condition, physically he cannot do anything. In my opinion, then, surgery is the right option.”

Dr. Ali Khammas, president of GOSS and Emirates Pediatric Society, said many people fail to grasp that obesity is a disease.  “The major threat to health in the Gulf region, I would say, is obesity,” he said. 

Khammas said weight-loss surgery is not a cure for severe obesity in either children or adults.

“You can imagine — we are talking about millions of people who are obese across the Gulf. In the UAE alone, about 1.5 million. We can not operate on all of them. 

“We are not going to tackle this disease by surgery. We need prevention. We need campaigns in every single school in the region. There should be someone at every school campaigning for a healthy food culture.”

Dr. El Zaqui Ladha, a consultant in bariatric and general surgery at Abu Dhabi’s Bareen International Hospital, described obesity levels across the Middle East as “shocking.”

“You have kids who are overweight at the age of two. Can you imagine? I had one patient this age: The boy could barely breathe. Kids are so heavy that it impacts on everything. For example, the knees have to bear the weigh, but for children, the knees and cartilage are not properly formed.”

Mansoor Ahmed, director of health care, education, development solutions and PPP for the MENA region at advisory firm Colliers International, said obesity is one of the top lifestyle diseases that appear to increase in frequency as countries become more industrialized and life expectancy increases.

“As a result of urbanization and rising disposable income, the majority of the GCC population, including KSA, have adopted a sedentary lifestyle characterized by an aversion to exercise and consumption of processed food leading to increased chronic diseases (such as diabetes, coronary problems and other obesity-related illnesses) previously uncommon to the region.

“To control obesity, the problem should be established during childhood and parents and teachers can play a leading role in this case. Kids should be taught that healthy lifestyle is important for their future life and that a healthy lifestyle should be a daily routine and lifetime habit.”

The obesity pandemic can be solved only in strong collaboration between the public and private sector, non-profit and philanthropic organizations and society, including parents and children, said Ahmed.

“The key here is awareness,” he said. “Awareness the problem exists, awareness of appearance and awareness of how to fight this disease and especially how to
prevent it.”

 


Two Saudi hotels listed in Conde Nast’s Hot List of new openings from the last year

Updated 25 April 2024
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Two Saudi hotels listed in Conde Nast’s Hot List of new openings from the last year

DUBAI: For those planning their next staycation, two hotels in Saudi Arabia have found a spot in Conde Nast’s prestigious annual Hot List, with one of them located in the heart of Riyadh.

The St Regis Riyadh and Six Senses Southern Dunes, The Red Sea have joined the list of best hotel openings from the last year, spanning the globe, from Argentina and Zimbabwe to Nepal and Spain, and more.

The St Regis Riyadh is “the only hotel inside Via Riyadh – a bijou mall of designer boutiques, hand-picked restaurants, and a cinema complex, wrapped within monumental sandstone walls at the edge of the Saudi capital’s Diplomatic Quarter – the St Regis Riyadh nods to the hotel brand’s New York heritage as well as its new Saudi home,” according to the publication.

Six Senses Southern Dunes, The Red Sea, is the first resort to open in the 28,000-square-kilometer expanse of sea, reefs, islands and inland desert known, simply, as The Red Sea. (Supplied)

Meanwhile, the new Six Senses Southern Dunes, The Red Sea, is the first resort to open in the 28,000-square-kilometer expanse of sea, reefs, islands and inland desert known, simply, as The Red Sea. It’s one of Saudi Arabia’s ambitious tourism-focused giga-projects, part of the Kingdom’s Vision 2030 aimed at diversifying the economy and heralding a new future for the nation.


Moroccan director Asmae El-Moudir joins Cannes’ Un Certain Regard jury

Updated 25 April 2024
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Moroccan director Asmae El-Moudir joins Cannes’ Un Certain Regard jury

DUBAI: The Cannes Film Festival announced on Thursday that Moroccan director, screenwriter and producer Asmae El-Moudir will be part of the Un Certain Regard jury at the 77th edition of the event, set to take place from May 14-25. 

She will be joined by French Senegalese screenwriter and director Maïmouna Doucouré, German Luxembourg actress Vicky Krieps and American film critic, director, and writer Todd McCarthy. 

Xavier Dolan will be the president of the Un Certain Regard jury. 

The team will oversee the awarding of prizes for the Un Certain Regard section, which highlights art and discovery films by emerging auteurs, from a selection of 18 works, including eight debut films.

El-Moudir is the director of the critically acclaimed film “The Mother of All Lies.”

The movie took the honors in the Un Certain Regard section, as well as winning the prestigious L’oeil d’Or prize for best documentary at the festival in 2023. The film explores El-Moudir’s personal journey, unraveling the mysteries of her family’s history against the backdrop of the 1981 bread riots in Casablanca.

El-Moudir is not the only Arab joining the Cannes team. 

Moroccan Belgian actress Lubna Azabal this week was appointed the president of the Short Film and La Cinef Jury of the festival. The La Cinef prizes are the festival’s selection dedicated to film schools.


Second Ritz-Carlton Reserve in Saudi Arabia planned for Neom 

Updated 25 April 2024
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Second Ritz-Carlton Reserve in Saudi Arabia planned for Neom 

DUBAI: Marriott International, Inc. announced on Thursday that it has signed an agreement with Neom to open its second Ritz-Carlton Reserve in Saudi Arabia. 

The hotel is anticipated to open in Trojena, a year-round mountain destination located in the northwest region of the country. 

The resort is expected to feature 60 expansive one-to-four-bedroom villas. Plans also include a range of amenities including a spa, swimming pools and multiple culinary venues.

Chadi Hauch, the regional vice president of Lodging Development Middle East, Marriott International said in a statement: “Together with Neom, we look forward to bringing this ultra-luxury experience to Trojena. This signing also marks an important addition to our portfolio in Saudi Arabia where we continue to see a strong demand for our luxury brands.” 

“Trojena is a rare destination, and we are delighted that Ritz-Carlton Reserve has hand-picked the mountains of Neom for their next property.  Together we will create an experience that can’t be recreated anywhere else. Our visitors and residents will experience a sanctuary that will capture the magic of Saudi Arabia, embracing ultimate luxury in an unforgettable location,” executive director and Trojena region head Philip Gullett said in a statement. 

Trojena, one of the flagship developments within Neom, is being developed and positioned as a year-round adventure sports destination that will include activities such as skiing, water sports, hiking and mountain biking. It will also include apartments, chalets, retail, dining, entertainment, leisure, sports and recreational facilities, and other hospitality offerings, including a W Hotel and a JW Marriott Hotel.

Ritz-Carlton Reserve currently boasts a  collection of only six properties in destinations including Thailand, Indonesia, Puerto Rico and Mexico.


The Arab world at the Venice Biennale: Artists explore themes of identity, immigration, history

Updated 25 April 2024
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The Arab world at the Venice Biennale: Artists explore themes of identity, immigration, history

VENICE: No event in the international art scene is more anticipated, or debated, than the Venice Biennale. This year’s edition, “Foreigners Everywhere,” curated by Adriano Pedroso from Brazil, features 331 artists and 86 nations, including four Gulf countries as well as Lebanon and Egypt.  

Saudi Arabia 

Women’s voices chanting in unison fill the air of the Saudi Pavilion at Venice this year. “Shifting Sands: A Battle Song” was created by Saudi artist Manal AlDowayan, and hundreds of women from across the Kingdom participated in its creation. The exhibition, which includes large-scale installations in the form of desert roses filled with writing and drawings by the Saudi female participants whom AlDowayan worked with, aims to showcase the evolving role of women in the Kingdom while also striving to dispel media narratives that have long defined them. The chanting is derived from traditional battle songs once performed by Saudi men before they went into battle. Here they are chanted by women in a powerful chorus of strength and resilience, backed by recordings of the wind passing through sand dunes. The work, AlDowayan tells Arab News, “is about change, subtle changes — like those of a sand dune — the surface changes, but the core stays the same.”   

“Shifting Sands: A Battle Song” was created by Saudi artist Manal AlDowayan. (Supplied)

UAE  

Emirati artist Abdullah Al-Saadi is presenting “Sites of Memory, Sites of Amnesia” at the National Pavilion of the United Arab Emirates. It’s an introspective show consisting of drawings, sculptures, paintings and installations charting Al-Saadi’s travels around his homeland. “Traveling and understanding the natural world around me has always been an important part of my work,” Al-Saadi, who has even used rocks from the Emirates as his ‘canvas’ for some of the works, told Arab News. “Through this presentation in Venice, I hope visitors will enjoy tracing the travels I have taken over the past few years and also think about the world around us, and our place within it.”  

Visitors will also be presented with gifts: maps and scrolls in colorful traditional chests from the region, which will be removed and presented to guests by actors from the UAE.  

Emirati artist Abdullah Al-Saadi is presenting “Sites of Memory, Sites of Amnesia.” (Supplied)

Qatar  

While Qatar doesn’t have a national pavilion at the biennale, it is presenting “Your Ghosts Are Mine: Expanded Cinemas, Amplified Voices” — a group show of films by artists from across the Arab world, Africa and South Asia, as well as video installations from the collections of Mathaf: Arab Museum of Modern Art and the Art Mill Museum (scheduled to open in 2030). All the films were backed by the Doha Film Institute. 

“For me, it was important to show movies reflective of the theme of the biennale — so, revolving around immigration, foreigners, personal diaries and self-portraits and stories from women — all coming from independent (artists) in the Global South, whose voices are not always shared,” the Paris-based curator Matthieu Orlean told Arab News. 

Installation view of 'Your Ghosts Are Mine.' (Supplied) 

 

Egypt  

Alexandrian-born artist Wael Shawky has created “Drama 1882,” a 45-minute film for which he also composed the music, for Egypt’s national pavilion, which — in the first week of the biennale at least — has proved to be one of the most popular pavilions at this year’s event.   

The film is based around Egypt’s nationalist Urabi revolution against imperial influence in the late 19th century and Shawky uses historical and literary references as starting points from which to weave together a story that fuses fact, fiction and fable, while also exploring national, religious and artistic identity.  

“I worked with performers who enacted a play in a theater for the film,” Shawky told Arab News. “The film strives in part to connect the idea of history to drama — drama regarding the connection to catastrophe and drama regarding cynicism. I like to analyze the authenticity of history, especially Egyptian history. When one makes films about history there is this gap between truth and myth.” 

Wael Shawky has created “Drama 1882,” a 45-minute film for which he also composed the music, for Egypt’s national pavilion. (Supplied)

Lebanon 

Lebanese artist Mounira Al-Solh’s multimedia installation “A Dance with Her Myth” combines drawing, painting, sculpture, embroidery, video, and audio, and guides viewers through ancient Phoenicia. The piece, Al-Solh explains to Arab News, is inspired by the tale of Europa, the daughter of a Phoenician king who was abducted from the city of Tyre in Lebanon by the Greek god Zeus, who had transformed himself into a white bull to trick her into riding him, then took her off into the sea.  

“The (work) pays tribute to the ancient multicultural heritage of Lebanon,” Al-Solh says.  

In the center of the pavilion is an unfinished boat, that Al-Solh says references “the tension that women still face today, despite their emancipation.”  

Lebanese artist Mounira Al-Solh’s multimedia installation “A Dance with Her Myth” combines drawing, painting, sculpture, embroidery, video, and audio. (Supplied)

Oman  

Oman’s second participation in the biennale, is an exhibition titled “Malath — Haven.” It includes work from five Omani contemporary artists: Ali Al-Jabri, Essa Al-Mufarji, Sarah Al-Aulaqi, Adham Al-Farsi and Alia Al-Farsi (who also curated the show). “We used the word ‘haven’ in the title because, since antiquity, foreigners — including the Romans, Portuguese and Indians — have visited Oman,” Alia Al-Farsi told Arab News. The works on display — from Al-Farsi’s own colorful and expressive mixed-media murals (such as “Alia’s Alleys,” pictured here) to Al-Aulaqi’s “Breaking Bread,” which includes a large sculpture of a niqab made from silver spoons — reflect both traditional and contemporary life in Oman.  

“As an Omani creative with an international background, my aim was for the exhibition to serve as a sanctuary for visitors and travelers, allowing stories to unfold and intertwine, mirroring how our country finds its richness in intercultural dialogue,” the curator said in a statement.

'Alia’s Alleys' is on show in Venice. (Supplied)

 


Behind the scenes at Mazen Laham’s Middle East media powerhouse 

Updated 25 April 2024
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Behind the scenes at Mazen Laham’s Middle East media powerhouse 

  • Mazen Laham’s Different Productions, the company behind “Dubai Bling” and the regional version of “Shark Tank,” just celebrated its 10th anniversary 
  • Discussing Arabic-language adaptations of global shows, he said they preserve the original concept while respecting cultural sensitivities

DUBAI: Lebanese producer Mazen Laham’s Different Productions celebrated its 10th anniversary this month. The company is one of the driving forces of the television industry in the region, responsible for the creation of acclaimed shows including Netflix’s “Dubai Bling,” and “It’s OK” — a docuseries about the Lebanese pop superstar Elissa — as well as Arabic adaptations of popular franchises “Shark Tank,” “Say Yes to the Dress,” and “Chopped.”  

Laham told Arab News that shooting for the third season of “Dubai Bling” has already concluded, adding that it is “even bigger than the two previous seasons.” He confirmed that Emirati-Egyptian TV host Mahira Abdeaziz and Iraqi influencer Jwana Karim will be joining the cast, which already includes Zeina Khoury, Safa and Fahad Siddiqui, DJ Bliss, Danya Mohammed, Kris and Brianna Fade, Mona Kattan Al-Amin, Hassan Al-Amin, Loujain Adada, Ebraheem Al-Samadi, and Farhana Bodi.  

The previous two seasons both ranked in the global top 10 for non-English series on Netflix. “I believe in numbers,” Laham said. “It was (popular) globally. What I will say is that season three is a very big season.”  

While they suspected the show would be popular, Laham admitted that he and his team were not expecting it to get quite so big. “What we were aiming for is to have a good show but we never thought that it will be this successful,” he said.  

The show may be popular, but it has also attracted plenty of criticism online for its depiction of life in Dubai. Laham, though, seems unperturbed. 

“We never said that this is Dubai. From day one, we said it is about a group of friends living in Dubai,” he said. “It is not a documentary about the city. We are not saying ‘This is Dubai and this is life in Dubai,’ we only focused on a group of friends living in Dubai.” 

Discussing his company’s various Arabic-language adaptations of international shows, Laham said that they try to preserve the original concept of the show while ensuring they cater to the cultural sensitivities and preferences of the region. 

“Before getting the shows, we make sure that they fit our culture — anything that, culturally, does not pass, we do not even get it in the first place,” he said. “But, whenever we see something that could be adapted, yes, we (try to) get the rights for it. The most important thing is to keep the structure and the main spirit of the format the same.” 

Laham believes there are now two distinct audiences for shows: those for traditional television networks and those for streaming services such as Netflix, Shahid, Starzplay.  

“What is on TV does not work on a platform and vice versa, because the new generation want something fast — they want something will keep them hooked. So, it’s very challenging to make content for them,” he said.  

What Laham believes works best are docuseries such as “Dubai Bling” and “It’s OK.” 

“These are non-scripted, but they are serialized; they’re sticky,” he explained. “You want to keep on watching to follow the stories and this is when you binge watch. On TV channels, you still get to see classical standalone episodes.” 

Laham said Different Productions is currently working on an original docuseries for Starzplay called “Unstoppable.”  

“It’s a football-based reality show where children between the ages of 13 and 15 compete. There will be one winner, and the winner will hopefully play for one of the big Italian teams,” he said.  

Laham described the Saudi Arabia market as “promising,” not only due to the growing number of original productions but also because “the infrastructure, whether it’s Neom or AlUla,” is drawing in creatives from around the world. “I think it’s going to the biggest media hub out there very soon,” he added.  

“We care a lot about the viewership in Saudi Arabia because it’s the biggest market,” Laham said. “So we always look into the ratings — even if it’s not a pure Saudi show, we want our shows to be watched in Saudi Arabia.”