World Obesity Day: A growing number of Gulf youth are having bariatric surgery

“Studies have shown between 20 and 30 percent of children under the age of 18 in Saudi are overweight or obese,” says surgeon Dr. Aayed Alqahtani.
Updated 11 October 2018
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World Obesity Day: A growing number of Gulf youth are having bariatric surgery

  • A Saudi surgeon who is an expert in bariatric procedures will operate on children if it saves their lives
  • A Dubai doctor says there is a ‘serious incidence of obesity among children in the Middle East’ 

DUBAI: Rocketing obesity rates among children and adolescents in Saudi Arabia and the wider Middle East are leading to a growing number of young patients going under the knife for bariatric surgery.

Surgeons say region-wide awareness and prevention measures to tackle obesity are needed in homes, communities and in schools as they blame widespread access to unhealthy foods and sedentary behaviour for soaring numbers of severely overweight children.

Saudi surgeon Dr. Aayed Alqahtani, professor and consultant of minimally invasive and obesity surgery at King Saud University, told Arab News that over the past decade he has performed bariatric surgery on some 2,900 children and adolescents, including a four-year-old Saudi boy who weighed 70kg.

“His weight was killing him,” said Alqahtani. “A year later, thanks to bariatric surgery, he lost almost 20kg. It saved his life.”

Bariatric surgery includes a variety of procedures performed on people who are obese (those with a Body Mass Index of 30 or more) or morbidly obese (a BMI higher than 40). A person’s ideal BMI should be between 18.5 and 25.

The most common weight-loss surgeries involve either reducing the size of the stomach with a gastric band — restricting food intake — or non-reversible procedures that involve removing of a portion of the stomach or by re-routing the small intestine to a small stomach pouch.

Alqahtani said “more and more children” in the Middle East are having bariatric surgery. “It correlates with the rising number of obese children,” he said. “Studies have shown between 20 and 30 percent of children under the age of 18 in Saudi are overweight or obese. I would say this is the same in many Gulf states.”

Families from the Middle East travel to Saudi Arabia specifically to seek the help of Alqahtani, a renowned bariatric surgeon who is adamant — despite mixed views worldwide — that radical weight-loss surgery should be used on children of “any age” if their health is critically threatened by their size. 

There are no standards at which bariatric surgery is presented as an option for severely obese adolescents, but many countries set minimum age limits as guidelines for surgeons. In the UAE, for example, while guidelines differ by emirate, in Abu Dhabi and Dubai there are regulations suggesting surgeons should not operate on those under the age of 18. 

“People are concerned about bariatric surgery,” said Alqahtani. “Why? They believe that bariatric surgery will stunt a child’s growth, think children are not compliant, and they ask who has given consent for them to have this surgery.”

Alqahtani has published a series of research papers on the benefits of bariatric surgery, including a five-year study which followed the health progress of two groups of children; one who had undergone bariatric surgery and another who had followed traditional weight management techniques. On average, the children who had undergone surgery actually grew 10 centimeters taller than those who had not.

“Why? Because among other things, obesity stunts growth,” said Alqahtani. “Children ARE in fact compliant — despite beliefs of the contrary — and regarding consent, well, we should treat obesity like we would treat any other serious chronic disease. If you have cancer in a child would you wait until he is 18? No, you will discuss what is in the best interest of that child and make a decision.”

Children with severe obesity are at risk for health problems including Type 2 diabetes, sleep apnea, liver diseases and hypertension.

While Alqahtani advocates surgery as “by no means a first option” — stressing children who are eligible for surgery have spent months attempting traditional weight loss methods — he believes it should never be ruled out. “I would say, why should we wait until children are dying from these obesity-related diseases? Age should not be an issue.”

Alqahtani, who has performed more than 10,000 bariatric surgeries over his career, believes Gulf countries have the highest percentage of bariatric procedures, which include sleeve gastrectomy, gastric bypass and the placement of a gastric band, performed in the world. He himself has operated on a 21-year-old who weighed 610kg, having struggled with obesity since childhood. Today the patient weighs 68kg.

The fact that so many children and adolescents are undergoing radical weight loss surgery is an indicator of the obesity epidemic across the Kingdom and wider Middle East.




Children should be taught that a healthy lifestyle should be a daily routine and a lifetime habit, say the experts.

Last month, 2,500 health specialists from around the globe gathered in Dubai for the annual World Congress of International Federation for the Surgery of Obesity and Metabolic Disorders (IFSO 2018), hosted by Gulf Obesity Surgery Society (GOSS).

Dr. Faruq M. Badiuddin, head of the organizing committee for IFSO and a laparoscopic, gastrointestinal and obesity surgeon in Dubai, said there is a “serious incidence of obesity among children in the Middle East.” 

“It is really a combination of all the things we talk about in relation to obesity; it is a sedentary lifestyle among children as well as a huge excess of food and the wrong types of food. The problem is, we know obese children grow up to be obese adults. That is a fact.”

Badiuddin, an Egyptian, said weight-loss surgery among children varies across the Gulf. “Saudi, for example, is probably one of the only places in the world where the incidences of bariatric surgery in children are very high,” he said. “A lot of surgeries are done there.” 

Compare that, he said, to the neighbouring UAE, where a single governmental hospital in Sharjah is the only one that allows bariatric surgery for under-18s. 

Dr. Basim Alkhafaji, consultant laparoscopic, gastrointestinal and obesity surgeon at Dubai’s Canadian Specialist Hospital, said bariatric surgery is recognized as an effective and relatively safe procedure for morbidly obese adults.

However, with children, there are concerns about the non-surgical risks revolving around a children’s development, chiefly the effect nutritional changes will have on a still-growing body. “When you are cutting something from the stomach, you are altering the autonomy of the body — so there are some objections from the endocrinologist and the dieticians. 

“Always, they urge surgeons not to jump to this step unless it is a hopeless case, a case where a child is unable to do any sports or activities, cannot control himself with food and cannot follow instructions from specialists. We also look at the psychological state of the child.”

So should young children be offered bariatric surgery? Dr. Alkhafaji is unequivocal about his answer. “If there is no other option then surgery is the right thing,” he said. “When you get a child who is aged 10 and reaching 100kg, psychologically he will be in a bad condition, physically he cannot do anything. In my opinion, then, surgery is the right option.”

Dr. Ali Khammas, president of GOSS and Emirates Pediatric Society, said many people fail to grasp that obesity is a disease.  “The major threat to health in the Gulf region, I would say, is obesity,” he said. 

Khammas said weight-loss surgery is not a cure for severe obesity in either children or adults.

“You can imagine — we are talking about millions of people who are obese across the Gulf. In the UAE alone, about 1.5 million. We can not operate on all of them. 

“We are not going to tackle this disease by surgery. We need prevention. We need campaigns in every single school in the region. There should be someone at every school campaigning for a healthy food culture.”

Dr. El Zaqui Ladha, a consultant in bariatric and general surgery at Abu Dhabi’s Bareen International Hospital, described obesity levels across the Middle East as “shocking.”

“You have kids who are overweight at the age of two. Can you imagine? I had one patient this age: The boy could barely breathe. Kids are so heavy that it impacts on everything. For example, the knees have to bear the weigh, but for children, the knees and cartilage are not properly formed.”

Mansoor Ahmed, director of health care, education, development solutions and PPP for the MENA region at advisory firm Colliers International, said obesity is one of the top lifestyle diseases that appear to increase in frequency as countries become more industrialized and life expectancy increases.

“As a result of urbanization and rising disposable income, the majority of the GCC population, including KSA, have adopted a sedentary lifestyle characterized by an aversion to exercise and consumption of processed food leading to increased chronic diseases (such as diabetes, coronary problems and other obesity-related illnesses) previously uncommon to the region.

“To control obesity, the problem should be established during childhood and parents and teachers can play a leading role in this case. Kids should be taught that healthy lifestyle is important for their future life and that a healthy lifestyle should be a daily routine and lifetime habit.”

The obesity pandemic can be solved only in strong collaboration between the public and private sector, non-profit and philanthropic organizations and society, including parents and children, said Ahmed.

“The key here is awareness,” he said. “Awareness the problem exists, awareness of appearance and awareness of how to fight this disease and especially how to
prevent it.”

 


Dave Chappelle to perform at Abu Dhabi Comedy Week

Updated 19 April 2024
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Dave Chappelle to perform at Abu Dhabi Comedy Week

DUBAI: US award-winning comedian Dave Chappelle is set to perform in the UAE at the Abu Dhabi Comedy Week on May 23, organizers announced on Friday.

The capital city’s first-ever comedy festival will run from May 18-26 at Yas Island’s Etihad Arena.

Chappelle will join a long list of comedians performing at the event, including Chris Tucker, Aziz Ansari, Tom Segura, Jo Koy, Tommy Tiernan, Kevin Bridges, Andrew Santino, Bobby Lee, Andrew Schulz, Bassem Youssef and Maz Jobrani.

With numerous accolades and awards to his name, including multiple Grammy Awards and Emmy Awards, Chappelle is renowned for his wit and fearless commentary on contemporary issues.

While May 23 will mark Chappelle’s inaugural performance in Abu Dhabi, he has previously captivated audiences with two sold-out shows in Dubai.


Manal AlDowayan on her work for the Venice Biennale 

Updated 19 April 2024
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Manal AlDowayan on her work for the Venice Biennale 

  • The acclaimed artist is representing Saudi Arabia at this year’s ‘Olympics of the art world’ 

DUBAI: The acclaimed Saudi artist Manal AlDowayan is on a roll. Earlier this year, she opened two well-received exhibitions in AlUla, where she is also working on an ambitious land art commission for the upcoming Wadi AlFann cultural destination. And this week, AlDowayan will represent her country at the 60th iteration of the Venice Biennale — dubbed “the Olympics of the art world,” consisting as it does of multiple national pavilions — which runs until Nov. 24. She will be presenting what she describes as “two of my most major works in my career at this point.” 

AlDowayan has participated at Venice before. In 2009, she showed her work in an onsite exhibition organized by the Saudi art-focused initiative Edge of Arabia, alongside fellow Saudi artists including Maha Malluh and Ahmed Mater.  

AlDowayan will represent her country at the 60th iteration of the Venice Biennale. (Supplied)

“I’ve been going to Venice for about 12 years,” AlDowayan tells Arab News. “The first time I showed there, I knew in my heart that I would be coming back to represent Saudi Arabia; I would do everything in my power to come to this moment and prepare myself. It’s something very important for an artist: to participate in the Venice Biennale.” 

It was only last August that she was visited in her UK studio by Dina Amin, the CEO of the Visual Arts Commission, and cultural advisor Abdullah Al-Turki, and told she had been selected to represent the Kingdom in 2024.  

“My first thoughts were: ‘There’s no time,’” she says with a laugh. “To come up with a concept, complete the research, execute the concept, build it, and install it, is really complex. But my team, my studios, and I were ready. I already knew what I wanted to present, and within one week I had put together my proposal and it was approved. The artwork is a continuation of my language, my research and my forms that I work with.”

Participatory workshops for 'Shifting Sands - A Battle Song' by Manal AlDowayan. (Supplied)

The Saudi pavilion’s theme at Venice this year is “Shifting Sands—A Battle Song.” It is curated by a trio of female art experts, Jessica Cerasi, Maya El-Khalil, and Shadin AlBulaihed. In AlDowayan’s sound-meets-sculpture installation, she brings together much of what she has explored in her practice over the past two decades — community engagement, participatory art, media (mis)representation, and the visibility, or lack of it, of women in Saudi culture. The work is also about the momentous changes taking place in the Kingdom today, and her response to them.  

The work comprises two key parts: sound and soft sculptures. Saudi and Arab women’s voices are front and center; AlDowayan allowing them to reclaim their narrative, which she believes has consistently been misrepresented.  

“If you’re always told that you’re oppressed, repressed, depressed… you sort of lose the sense of yourself,” she adds. “And this artwork talks about this sort of constant hounding by Western media — and local media — speaking about the Arab woman; her body, her space, the rules of her behavior, and how she should exist in the public space.” 

Manal AlDowayan's 'Shifting Sands - A Battle Song.' (Supplied)

For this section, AlDowayan put out an open call inviting women to take part in workshops. They proved very popular, attended by all ages, professions and backgrounds.  

“In Riyadh, within three hours, 350 women registered,” she says. “We had to block the registration link because I don’t know how to control 350 women. I’m just one.” In the sessions, participants reacted to negative press headlines and media clippings, and AlDowayan recorded those reactions.  

“I always say that people are trying to define what a Saudi woman is,” explains AlDowayan. “We researched thousands and thousands of articles in my studios, in seven languages, and there were some very dark things written. I showed the women these articles and said, ‘Do you really feel these articles are really speaking your truth?’”  

She also asked them to write and/or draw their own stories. Examples included: “Two women equal one man.” “Thanks love, we don’t want to be saved.” And “Surrendering doesn’t look good on us, for we are wars.”  

Detail from Manal AlDowayan's 'Shifting Sands - A Battle Song.' (Supplied)

A selection of the written quotes were then read out loud by participants. While reading, they had headphones on, listening to, and harmonizing with, the eerie humming sounds made by sand dunes, which AlDowayan had previously recorded.  

“It was beautiful and meditative. You will see women with their eyes closed, their arms stretched out. It was a very spiritual moment,” AlDowayan recalls. The whole ‘performance’ was inspired by ‘Dahha,’ a ritual in which warriors celebrated victory with music and dance.  

Inside the pavilion, where the women’s recordings play, stand three soft black-and-brown sculptures, full of folds, shaped like the sand crystals known as desert roses — a recurring motif in AlDowayan’s work.  

“The rose is a very weak and delicate (thing),” she says. “But this crystal is born in extreme circumstances. First, it needs to be pouring rain, then there needs to be high temperatures and that’s how it crystalizes. I feel like I’ve adopted this form as a body and I deal with it like skin.”  

The folds of the enlarged sculptures are imprinted with “a cacophony of what Western media has written: the veil, repressed, oppressed, women, sexuality… All the words that always float over our heads,” says AlDowayan. They also include some of the women’s positive messages, as well as their drawings.  

“While you’re taking this journey you will hear the sound, and sound is sculptural in my opinion: It occupies but you can’t see it,” she says. “I feel the invisibility of sound, and its ‘presence’ is like the Arab woman. She’s strong, she’s there; it’s undeniable. Just because you don’t see her, it doesn’t mean she doesn’t exist.” 

As for how visitors will react to her work, AlDowayan hopes to provoke conversations.  

“I want questions. I want extreme emotions. They can hate it, they can love it, they can cry. But, I can’t do neutral,” she says. “Neutral means I did not succeed. If they have questions, then I’ve succeeded. If they talk about it after one day, I’ve succeeded.” 


US Kuwaiti artist Latifa Alajlan — ‘I used to compare myself to other artists’ 

Updated 19 April 2024
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US Kuwaiti artist Latifa Alajlan — ‘I used to compare myself to other artists’ 

  • The third in this year’s series focusing on contemporary Arab-American artists in honor of Arab-American Heritage Month

DUBAI: Kuwaiti artist Latifa Alajlan moved to America in 2016 to study art at Grossmont College in San Diego, followed by a Master of Fine Arts program at the School of the Art Institute of Chicago, where alumni include major American artists Georgia O’Keeffe, Joan Mitchell and Grant Wood.  

Now, Alajlan is based in New York, where she is represented by Franklin Parrasch Gallery. “New York is the Makkah of the art world,” she tells Arab News. “You have so many galleries and institutions — that’s what I do every Friday. It’s very meditative for me and I enjoy walking around the city.”    

Alajlan, Latifa, Ishq, 2024. (Supplied)

But she is also aware of the competition in such an established artistic environment. “In New York, when you’re a young artist what’s dangerous about it is that you compare yourself to other artists,” she says. “I used to do that a lot and I had to take a step back and realize it was unhealthy. Everyone has their own journey.” 

Hers began in Kuwait, where her parents, especially her strict father, would “force” Alajlan and her siblings to visit museums and write essays on artworks. “I just didn’t understand. People were enjoying their summer, and we were going to museums,” she says. “That was boring.”  

Now, however, Alajlan can look back on her childhood and understand her parents’ intentions. “That’s what I appreciate: the fact that they kept pushing me,” she says. 

Lilith's Garden, 2024. (Supplied)

As for her creative practice, Alajlan has experimented with ceramics, glass-blowing, blacksmithing and sculpting. But such labor-intensive mediums weren’t for her. “I almost lost my fingers,” she says. “It’s intense. . . I’ve realized painting is my thing.” 

Through her abstract work, Alajlan addresses political, cultural and architectural attributes of her homeland. But she finds inspiration everywhere, she says — from her friends to conversations with strangers. There is an element of mystery to her canvases; she might hide certain parts of her composition with splodges of paint, filling them with gentle gestural strokes and motifs from mosques.  

“To me, painting is very therapeutic,” she says. “It’s my way of praying.” 


Recipes for success: Chef Lorenzo Buccarini offers advice and a pasta and caviar recipe 

Updated 19 April 2024
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Recipes for success: Chef Lorenzo Buccarini offers advice and a pasta and caviar recipe 

DUBAI: “I discovered my passion for cooking at a young age, being drawn to the sights and smells from my family’s kitchen,” Zenon Dubai’s executive chef Lorenzo Buccarini tells Arab News. “My earliest memory of cooking is helping my grandmother prepare lasagna. Those moments ignited a lifelong love affair with the culinary arts.”. 

Zenon, located at Kempinski Central Avenue in the heart of Downtown Dubai, offers Mediterranean and Asian cuisine. 

“Working with Zenon Dubai has been an enriching experience filled with creativity and collaboration, allowing me to push boundaries,” said Buccarini. 

Zenon is located at Kempinski Central Avenue in the heart of Downtown Dubai. (Supplied)

From the vibrant culinary scene of London in 2012 to Istanbul in 2014, Bali in 2016, and Morocco in 2018, Buccarini has dabbled in an array of cuisines over the years. Here, he discusses his go-to dish, favorite cuisine and most challenging dish to prepare. 

Q: When you started out, what was the most common mistake you made? 

A: Underestimating the importance of proper seasoning. Achieving the perfect balance of flavors is essential in every dish, and mastering seasoning techniques was a valuable lesson early in my career. 

What’s your top tip for amateur chefs? 

Invest in quality ingredients and don’t be afraid to experiment. Additionally, learn fundamental cooking techniques such as knife skills and proper seasoning, as they form the foundation of any great dish. 

Zenon offers Mediterranean and Asian cuisine. (Supplied)

What one ingredient can instantly improve any dish? 

Fresh herbs — whether it’s parsley, basil, cilantro, or thyme, incorporating fresh herbs adds depth and complexity to your cooking. They elevate the flavor of any dish. 

When you go out to eat, do you find yourself critiquing the food?  

Naturally, as a chef, I pay attention to the details if I’m dining out. 

What’s the most common issue that you find in other restaurants? 

Something I often notice is inconsistency in execution — whether it’s undercooked proteins, over-seasoned dishes, or lackluster presentation. Consistency is key to delivering memorable dining experiences. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Zenon Dubai (@zenondubai)

And what’s your favorite cuisine when you go out? 

I do enjoy exploring different cuisines, but if I had to choose a favorite, it would have to be classic Italian cuisine. There’s something inherently comforting and soul-satisfying about dishes like homemade pasta or a perfectly cooked risotto that never fails to delight the palate. 

What’s your go-to dish if you have to cook something quickly at home? 

Spaghetti aglio e olio. It’s a simple yet flavorful pasta dish made with garlic, olive oil, chili flakes, and parsley. It’s quick to prepare and showcases the beauty of minimalistic Italian cooking. 

What customer behavior most annoys you? 

It can be frustrating when customers request significant modifications to a dish without considering the integrity of the recipe. While accommodating dietary restrictions is important, excessive alterations can compromise the intended flavors and balance of the dish. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Zenon Dubai (@zenondubai)

What’s your favorite dish to cook? 

One of them is osso buco. It’s a classic Italian dish made with braised veal shanks, aromatic vegetables, and a rich tomato-based sauce. The slow cooking process allows the flavors to meld together beautifully, resulting in a dish that’s hearty, flavorful, and deeply satisfying. 

What’s the most difficult dish for you to get right? 

For me, mastering the perfect risotto has always been a challenge. Achieving the ideal balance of creaminess and texture while ensuring the rice is cooked to perfection requires precision and attention to detail. It’s a dish that demands patience and practice to get just right. 

As a head chef, what are you like? Are you a disciplinarian? Or are you more laidback? 

I try to maintain a balance between discipline and approachability. I do set high standards for my team, and I expect professionalism in the kitchen, but I believe in fostering a supportive and collaborative environment. Effective communication and mutual respect are essential for success in any kitchen. 

Chef Lorenzo’s pasta, cream reduction and caviar 

Chef Lorenzo’s pasta, cream reduction and caviar. (Supplied)

INGREDIENTS 

For the cream reduction: 1L double cream; 500g dried porcini; 1L water 

For the fresh pasta (can be substituted for store-bought pasta): 600g semolina flour; 1400g 00 flour; 8 fresh eggs; 300g water 

INSTRUCTIONS 

1. To reduce the cream, add it to a pan and gradually reduce the heat to a slow boil, stirring frequently. As the water boils off, the cream will be reduced. You want to reduce it by half. Then place the pan to one side. 

2. For mushroom stock, add the dried porcini to a pan with the water and simmer for one hour. Strain immediately. Reduce the stock by ¾. 

3. For the pasta, mix all ingredients together to make a dough. Put in the fridge for one hour. Remove from the fridge and shape it as you like (here at the restaurant we do rigatoni). You can just use standard, store-bought pasta too.  

4. Cook the pasta in boiling water for five or six minutes (or as instructed for store-bought pasta), then drain. 

5. Put 250g of the cream reduction and 20g of reduced mushrooms into a hot shallow pan. Add a pinch of salt. Add the pasta to the sauce. Stir. Add a little parmesan and top with caviar.


REVIEW: Netflix’s ‘Crashing Eid’

Updated 19 April 2024
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REVIEW: Netflix’s ‘Crashing Eid’

Shying away from the traditional, comedy television show “Crashing Eid” presents quite a progressive viewpoint — but certainly not an uncommon one.

The four-episode series follows the story of Razan, an independent young Saudi woman who fled her old life and built a new one in London along with her teenage daughter Lamar — only to find herself in love with a Pakistani Brit, Sameer.

The show opens with a surprise spin as Razan takes it upon herself to initiate a proposal to Sameer, who she has known for two years. She and her daughter then plan to take a short trip back to hometown Jeddah during Ramadan, without her family knowing that she has no plans to move back home — or that she is engaged.

Sameer decides to return the surprise by showing up to her family’s home, only to be met by Razan’s father, who mistakes him for a maintenance worker. This spurs the show into a flurry of misunderstandings and awkward interactions that surface some rather crucial unresolved family issues and traumas.

As Saudi has become more global in its population, in many ways including international marriages, the issues in “Crashing Eid” have become more vital to discuss than ever.

Rather than focusing on the difficulties that come with marrying a foreigner, such as lengthy legal procedures and official marriage approvals, the show hones in on societal acceptance. The aspects of honor and locality of marriage are brought to the surface.

The show also uses the main plot to dig up some underlying issues prevalent in any society, not just in Saudi Arabia. Through Razan’s homecoming, she is forced to revisit the reality of her previous marriage to Lamar’s father, who had been physically abusive. Choosing to leave him and start a new life abroad, she is met with societal condemnation and victim blaming.

While Razan’s brother Sofyan battles divorce and child custody issues, the family reveals the challenges of generational gaps. It also demonstrates the common shift to the globalization of younger generations and the tight hold on traditions within older ones.

The show has a unique way of making difficult or rather taboo topics palatable for a general Saudi audience. It sets the table for conversation, at the very least.

Sure, some of the acting seemed fairly novel, reminiscent of early 2000s sitcoms sans the laugh track, and the show also had a peculiar style of direction and editing.

But certainly, “Crashing Eid” must be applauded for its bold statements, proving that it is not afraid to rock the boat for the chance to tell authentic Saudi stories. For anyone looking to get a deeper sense into the modern-day Saudi household, the show is a must-watch.