Ministry of Media rejects UEFA’s ‘irresponsible accusations’ of BeoutQ being based in Saudi Arabia

The Ministry of Media unequivocally rejected, what it called, UEFA’s baseless claim that BeoutQ ‘is based in Saudi Arabia.’ (BeoutQ screenshot)
Updated 23 June 2018
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Ministry of Media rejects UEFA’s ‘irresponsible accusations’ of BeoutQ being based in Saudi Arabia

  • The Ministry of Media said it understands that BeoutQ’s set top boxes are available in many places, including Qatar and Eastern Europe. Moreover, UEFA’s irresponsible statement is contrary to what is occurring in the Kingdom of Saudi Arabia.
  • The Ministry of Media was informed that beIN Sports was the source of UEFA’s reckless allegation. beIN Sports is a subsidiary of the Al Jazeera Media Network (Al Jazeera). KSA banned Al Jazeera’s broadcasts in KSA, beginning in June 2017.

JEDDAH: The Ministry of Media says it has become aware of irresponsible accusations made in a UEFA press release regarding an entity known as BeoutQ. UEFA baselessly claims that BeoutQ “is based in Saudi Arabia.”

The Ministry of Media unequivocally rejects this claim. The Ministry of Media said it understands that BeoutQ’s set top boxes are available in many places, including Qatar and Eastern Europe. Moreover, UEFA’s irresponsible statement is contrary to what is occurring in the Kingdom of Saudi Arabia (KSA).

Through its Ministry of Commerce and Investment, KSA has relentlessly combatted BeoutQ’s activities within the country. For instance, the Ministry of Commerce has seized thousands of set-top boxes that would otherwise be used to violate intellectual property (IP) in KSA.

The Government of Saudi Arabia is and will remain devoted to protecting IP rights within the country. The Ministry of Media was informed that beIN Sports was the source of UEFA’s reckless allegation. beIN Sports is a subsidiary of the Al Jazeera Media Network (Al Jazeera). KSA banned Al Jazeera’s broadcasts in KSA, beginning in June 2017.

Al Jazeera is Qatar’s principal media arm for supporting terrorism and promoting instability in the region. Al Jazeera provides a media platform for terrorists to propagate their violent message. KSA has also banned broadcasts by beIN Sports in Saudi Arabia for the same reason.

Al Jazeera’s response to the ban was to escalate its campaign of defamation against KSA. While beIN Sports’s broadcasts, too, have long been used as vehicles for offensive anti-Saudi invective, beIN Sports has amplified its offensive propaganda during the World Cup 2018 — which is ironic because the World Cup is supposed to be a demonstration of how football can bring nations together in harmony.

During the World Cup, beIN has defamed the Saudi Football Federation, insulted Saudi Arabia and its fans and has politicized the World Cup platform in violation of all rules and codes of conduct. For these reasons Al Jazeera and its subsidiary beIN, will never broadcast in Saudi Arabia.

The Ministry of Media accordingly urges that responsible news organizations view the reckless press release by UEFA, as well as beIN Sports’ other unsubstantiated allegations, with suspicion.


REVIEW: Second season of Sacred Games mirrors the ills of today's India

Updated 17 August 2019
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REVIEW: Second season of Sacred Games mirrors the ills of today's India

CHENNAI: The first season of “Sacred Games” last year was a hit, and the second edition, which began streaming on Netflix on Aug. 15, may be even more so.

The eight episodes explore some of India's most pressing current issues such as a nuclear threat, terrorism and inter-religious animosity dating back to the country's 1947 partition. It. It also addresses how religious men can indulge in the most unholy of acts, including helping corrupt politicians.

Some of the greatest films have had conflict and war as their backdrop: “Gone with the Wind,” “Casablanca,” “Ben-Hur” and “Garam Hawa,” to mention a few. The second season of “Sacred Games” also unfolds in such a scenario, with terrorism and inter-communal disharmony having a rippling effect on the nation.

Directed by Anurag Kashyap (“Gangs of Wasseypur,” “Black Friday”) and Neeraj Ghaywan (“Masaan,” which premiered at Cannes in 2015), the web series, based on Vikram Chandra's 2006 novel, unfolds with Ganesh Gaitonde (played by Nawazuddin Siddiqui) escaping from prison and finding himself in Mombasa. He has been carted there by an agent of India's

Research and Analysis Wing, Kusum Devi Yadav (Amruta Subhash), who forces him to help find Shahid Khan (Ranvir Shorey), the mastermind behind bomb blasts and terror attacks.

In Mumbai, police inspector Sartaj (Saif Ali Khan) has just two weeks to save the city from a nuclear attack, which Gaitonde had warned him about. Both men love Mumbai and do not want it to be destroyed. But religious extremist Khanna Guruji (Pankaj Tripathi) and his chief disciple Batya Ableman (Kalki Koechlin) believe that only such a catastrophic destruction can help cleanse society and bring a cleaner, saner new order.

A narrative of deceit, betrayal, love and longing, the second season has a plodding start, but picks up steam from the fourth episode, with Sartaj and his men racing against time to find a nuclear time bomb that could wipe out Mumbai. Crude dialogue and a constant doomsday atmosphere could have been avoided, but riveting performances by the lead pair – Khan and Siddiqui (though he is getting typecast in this kind of role) – and nail-biting thrills make this Netflix original dramatically captivating.