Unearthing Arabian man’s roots: Archaeologists are uncovering evidence of prehistoric man, piece by piece

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Evidence of human activity stretching back more than 1,000 years has been uncovered at the Al-Abia site in the Asir region’s governorate of Bisha. (Photo/SCTH)
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Prince Sultan bin Salman, president of Saudi Commission for Tourism and National Heritage, inspects an archaeological site in Tabuk. (Photo/SCTH)
Updated 14 May 2018
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Unearthing Arabian man’s roots: Archaeologists are uncovering evidence of prehistoric man, piece by piece

  • Qurayya Oasis, the capital of the Median dynasty, is one of the largest archaeological sites in northwest of Saudi Arabia
  • SCTH has launched a comprehensive and systematic program of archaeological survey and excavation

JEDDAH: With the recent announcement by Prince Sultan bin Salman, president of the Saudi Commission for Tourism and National Heritage, that human footprints dating back 85,000 years were found in Tabuk, the list of archaeological evidence of prehistoric humans in Arabia just got a little longer.

The archaeological finds that have been discovered through surveys and excavation, by local and international teams, confirms that humans migrated widely in Arabia and were involved in cultural and economic activities through various ages.

Saudi Arabia has paid great attention to archaeology, as it is rich in sites that have considerable historic and cultural elements. 

According to SCTH’s general manager of the Center for Research and Archaeological Studies, Dr. Abdullah Al-Zahrani, the commission has established the Custodian of the Two Holy Mosques’ Cultural Heritage Program for that reason. 

“One of the priorities of the program is to take care of the antiquities and heritage, and to highlight them at the international forums,” said Al-Zahrani.

Prized possession

“SCTH has launched a comprehensive and systematic program of archaeological survey and excavation. As a result, some 31 local and international missions are working in various regions across the Kingdom,” Al-Zahrani told Arab News.

He added that the archaeological surveys and excavations have achieved several important discoveries that revealed the essence of civilization in the Arabian Peninsula in general, especially the Kingdom.

“SCTH has collaborated with multidisciplinary experts and researchers from the German Max Planck Institute and the University of Oxford to investigate the impact of climate change in ancient periods on communities and animals that had lived or traversed across the Arabian Peninsula. They have also worked on how these communities and animals adapted to withstand the coarse conditions of life over the past million years.

“SCTH has implemented the Green Arabia Project (GAP), a pioneer project, focusing on studying paleo deserts, paleo environments and paleo lakes in the north and middle of the Kingdom.”

Al-Zahrani said that the GAP has revealed a lot of ancient archaeological evidence. Remnants of bone from the middle section of the middle finger of a human being were found dating back more than 90,000 years.

“In addition to remains of fossilized animal bones of different mammals, teeth and deer horns, a 160-centimeter-long tusk of an extinct species of elephant has also been discovered near the Tayma site.”

In the northwest region of Tabuk, the ongoing excavations conducted by the Saudi-Japanese-joint mission at ancient pastoral settlements have revealed sites dating back to the Neolithic age, the prominent one of which is a settlement where a lot of arrowheads, grinders, pounders and other stone tools have been recovered. “As mentioned in the comparative studies, the settlement was contemporary to advanced settlements in southern Jordan,” Al-Zahrani said.

Qurayya Oasis, the capital of the Median dynasty, is one of the largest archaeological sites in northwest of Saudi Arabia at which the Saudi-Austrian mission is currently conducting extensive surveys and excavations. 

“The field works yielded 6.5-kilometer-long enclosure walls surrounding and protecting the city from the four sides. Also, some furnaces for producing the so-called ‘median pottery’ date back from the late Bronze Age to the early Iron Age.”

Moreover, there was also a distinctive collection of pottery fragments decorated with drawings and multi-colors, beads, pieces of metal and remnants of war tools that included a complete 90-centimeter sword.

Al-Zahrani added that the ongoing excavations undertaken by the Saudi-French joint mission in Madain Saleh of Al-Ula have unearthed a walled residential area dating from the first millennium BC to the first century AD, with well-planned streets, multi-room houses and different inscriptions. 

“The project also revealed important information about settlers’ daily activities such as farming, butchery and the most often consumed species of animals like camels, sheep, and goats, as well as a various sort of exotic coastal fish from the Red Sea,” he noted.

Elsewhere, according to Al-Zahrani, the Saudi-Italian French excavation team at Al-Jawuf’s Dumat Al-Jandal has revealed that the area is rich in archaeological treasures represented in vivid evidence of the originality and civilization of Saudi Arabia over the ages.

The field work concentrated on investigating the Babylonian and Assyrian influences, and the archaeological sites in the Roman, Nabataean and Islamic periods. 

“The oldest settlement in the area dates back to the Paleolithic age. Besides, the majority of the Neolithic and more than 500 Chalcolithic sites that have been discovered are characterized by patterns of architectural installations and hunting locations.” 

Conducted at Dumat Al-Jandal, soundings exposed a sequence of layers of various periods dating from the 5th century BC to the 16th century AD.

As part of the agreement signed by Saudi Arabia with UNESCO to protect underwater cultural heritage, the SCTH has initiated another program to explore and excavate the Saudi coast and islands in the Red Sea, and identify submerged shipwrecks in Saudi territorial waters.

“The most important field project that has been implemented under the umbrella of this program is the project of Survey and Documentation of the Northern Red Sea Shores near Al-Wajh city and the Aynouna archaeological site in Tabuk.”

Undertaken by the Saudi-Polish mission, the surveys and excavations have uncovered many objects and findings dating back to the Nabataean period, revealing evidence related to the most important Nabataean port (Loki Kumi), confirming there was once Red Sea trade over the ages.

At Jar Islamic Port in Al-Madinah Al-Munawwarah, which is considered one of the most important ports on the Red Sea coast for being associated with Al-Madinah during the seventh century, Al-Zahrani said that the Saudi-British mission discovered interconnected building units and a variety of materials and objects, including a cemetery that dates back to the early Islamic period containing remains of those who lived at Al-Jar Port in that period. 

Prehistoric sites

Moreover, the SCHT has signed an agreement with the University of York to survey and document the prehistoric sites in Jazan and the Farasan islands. 

“The Saudi-British joint mission has discovered several seasonal settlements around Farasan islands, where settlers would get food from the islands, in addition to a number of submerged caves.”

Al-Zahrani pointed out that for the SCTH to explore submerged antiques in the Red Sea, it conducted a joint project with the Philipps University in Germany to study the shipwrecks that had sunk between Al-Shuaibah and south of Rabigh. 

“The Saudi-German team identified shipwrecks and the remnants of large pottery jars used to store and deliver many goods and liquids, in addition to wrecks dating back to different periods.” 

In addition, the team recorded several marine settlements that served as a port from which trade ships would sail off or where ships would anchor.

In the same regard, at the coastal area opposite Umluj city, a Saudi-Italian mission surveyed the submerged antiquities and recorded different locations, one of which contains a sunken shipwreck from the 18th century, with a full load of contents.


Saudi Shoura Council speaker holds meetings during official trip to Jordan

Updated 17 April 2024
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Saudi Shoura Council speaker holds meetings during official trip to Jordan

  • Gatherings attended by several officials from the 2 sides

RIYADH: The Speaker of the Saudi Shoura Council Sheikh Abdullah Al-Sheikh met Jordanian Prime Minister Bisher Khasawneh on Wednesday as part of his official visit to Jordan, the Saudi Press Agency reported.

The discussion emphasized the strong and deep-seated relations between Saudi Arabia and Jordan, highlighting their extensive coordination and cooperation across various sectors.

Both officials explored ways to enhance bilateral ties, with a particular focus on strengthening parliamentary relations.

Al-Sheikh also held discussions with Faisal Akef Al-Fayez, president of the Jordanian Senate, on the same day.

He highlighted Saudi Arabia’s rapid economic growth and development, attributing this progress to the leadership of the Kingdom.

Al-Sheikh expressed gratitude for Jordan’s unwavering support and spoke of the consistent backing the Kingdom has provided to Jordan.

The meeting also focused on ongoing cooperative efforts between the Shoura Council and the Jordanian Senate, along with discussions on various other subjects.

Both meetings were attended by several officials from the two sides.
 


Saudi artist embraces the unconventional with anti-aesthetic artworks

Updated 17 April 2024
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Saudi artist embraces the unconventional with anti-aesthetic artworks

RIYADH: In a world fixated on beauty and aesthetic perfection, Saudi artist Asrar Al-Qarni is boldly producing anti-aesthetic and unsettling art.

Through her work, the 33-year-old challenges traditional notions of beauty and protests conformity. She compels viewers to confront uncomfortable truths and explore darker aspects of society.

This unconventional approach to art can be seen as a romantic rebellion against society’s constraints, as well as a celebration of individuality and freedom of expression.

Al-Qarni told Arab News that anti-aesthetic art encourages people to look beyond the surface and find beauty in the unexpected and the unconventional. It seeks to disrupt the status quo and provoke thought and discussion about the nature of art itself: “Instead of being visually appealing and comforting, anti-aestheticism prioritizes evoking emotions and disturbing expression within the artwork,” the artist said.

This can lead to anti-aesthetic works being labeled ugly, jarring, or anti-art by those who prefer more aesthetically focused works.

By highlighting discord and dissonance in her paintings, Al-Qarni, a self-taught artist, creates a unique and thought-provoking experience for those who encounter her work. “Incorporating elements of chaos, ugliness and discomfort forces viewers to confront their preconceived notions about what art should be,” she added.

Al-Qarni became interested in anti-aesthetic art because of its raw human expression and beauty hidden by imperfections.

She uses bold colors and abstract shapes to create pieces that challenge viewers’ preconceptions and provoke a strong emotional response.

“I use various materials for my art, including mixed media, oil paint, acrylic paint and watercolor. My choice of materials depends on the specific technique or effect I want to achieve in my artwork,” Al-Qarni said.

By breaking free from the constraints of conventional beauty, the artist is pushing boundaries and inspiring others to think outside the box.

Al-Qarni said she cultivated her style through dedicated practice. She started copying and sketching cartoons from her favorite television shows as a child. “As I got older, I got into realistic portrait painting, trying to capture the world around me, but I soon realized that realism did not allow me to express my emotions deeply enough,” she added.

The Saudi artist eventually resorted to a more liberated method, allowing her to follow her instincts and let her brush strokes guide her: “When I hold the brush against the canvas, it becomes a way to quieten the noise of life and connect with my inner self, providing a source of relaxation and tranquility.”

The artist maintains a multi-purpose space where she paints, serving as both a studio and a cozy personal area.

“It is where I sleep, read and spend most of my time. Waking up surrounded by the creative mess of my art provides me with a sense of passion and inspiration to continue my artistic journey each day.”

Ten years ago, Al-Qarni decided to pursue art professionally, and she has not looked back since. Her work has been featured in galleries and exhibitions across Saudi Arabia, earning her recognition and acclaim from critics and audiences.

Al-Qarni’s first showing was in 2016 in Jeddah with Behance, the world’s largest network for showcasing and discovering creative work.

“Facing the audience, I received both compliments and critiques. The experience was helpful and encouraging, inspiring me to create more and improve my art,” she said.

She has taken part in several art exhibitions, such as the Misk Art Institute in 2019, which provides a platform for creative individuals to influence present-day discussions.

Al-Qarni also showcased her work at Grey Art Gallery in Alkhobar, and Zawaya Art Gallery and Sensation Art Gallery in Jeddah.

The artist gives each painting a title that reflects the overarching emotion or story behind the artwork. The title can be inspired by a novel, a song, or a personal experience related to the painting.

“How someone perceives and feels about a painting can vary depending on the person looking at it,” she added. “We all bring our own thoughts and experiences, which adds to the richness and meaning of any artist’s work.”

To aspiring artists who might be intimidated to share their artwork and innermost emotions with an audience, Al-Qarni preaches that the world needs art.

“Embrace the opportunity for growth and connect with other artists through feedback and experiences, and remember that every artist starts somewhere, and sharing your work is a step toward achieving your goals.” 


Stage is set for Saudi Arabia’s first Arabic grand opera

Updated 17 April 2024
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Stage is set for Saudi Arabia’s first Arabic grand opera

  • ‘Zarqa Al-Yamama’ aims to bring Saudi heritage to life and lead the way into a new cultural era in the Kingdom
  • Saudi singers Sawsan Al-Bahiti, Khayran Al-Zahrani and Reemaz Oqbi take on 3 key roles in the opera

RIYADH: With just a week to go, the stage is set for the eagerly anticipated first performance of “Zarqa Al-Yamama,” which organizers describe as the first grand Saudi opera in Arabic, at King Fahd Cultural Center in Riyadh on April 25.

The libretto will be sung in Arabic, which is rare in opera as the vast majority of works are performed in European languages. As such, the Kingdom’s Theater and Performing Arts Commission said the event, which takes place under the patronage of Minister of Culture Prince Badr bin Abdullah bin Farhan, marks a turning point in an increasingly vibrant Saudi cultural scene, given the high artistic value of opera and the interest of connoisseurs and audiences around the world in the art form.

“Zarqa Al-Yamama” is based on well-known sung poems and music inspired by the operatic tradition, together with elements of Saudi music. It tells the story of the legendary figure Zarqa Al-Yamama, who lived in the Al-Yamama region of Najd during the pre-Islamic era and is caught up in a dispute between her tribe and another that ends in tragedy.

The producers describe the opera as a poignant tragedy with breathtaking suspense, brought to life in a state-of-the-art theatrical production filled with sweeping orchestral movements and mesmerizing choral performances that deliver a unique cultural experience. 

Sawsan AlBahiti. (Supplied)

Sultan Al-Bazie, the CEO of the Theater and Performing Arts Commission, said the opera embodies well-established elements of Saudi heritage and presents a well-known story within a contemporary framework that reflects modern artistic trends and audience expectations.

It is a collaborative project featuring Saudi and international artists. Saudi poet Saleh Zamanan, who has received several local and international awards for his poetry and plays, wrote the words, inspired by the historical story of Zarqa and adding his own literary stamp.

Saudi artists Sawsan Al-Bahiti, Khayran Al-Zahrani and Reemaz Oqbi take on three key roles in the opera, which is a sign of the progress in the development of musical entertainment in the Kingdom.

“I will be performing the role of the bridesmaid, which is part of a major scene in the opera where the story takes a major turn to more thrilling events,” Al-Bahiti told Arab News.

Considered the first Saudi opera singer, she has been leading the way in the development of the Saudi opera scene and “Zarqa Al-Yamama” provides the latest showcase for her incredible vocal talent. She said the production is contemporary and innovative, and demonstrates a rich complexity that will captivate the audience.

“From the day I started training as an opera singer in 2008, I dreamed of an original Saudi opera production sung in Arabic,” said Al-Bahiti. “This day has finally come, and arrived sooner than I expected, which makes me even happier.”

Amid the rapid development and evolution of all forms of entertainment in Saudi Arabia in recent years, “Zarqa Al-Yamama” represents a significant step forward for opera in the Kingdom, and Al-Bahiti serves as a shining example of the growing opportunities as the art form continues to evolve and grow.

“Zarqa Al-Yamama” will run from April 25 until May 4, with 10 performances scheduled.


Saudi FM receives phone call from EU foreign policy chief

Updated 17 April 2024
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Saudi FM receives phone call from EU foreign policy chief

  • Officials discussed Gaza war

RIYADH: Saudi Foreign Minister Prince Faisal bin Farhan received a phone call on Wednesday from European Union foreign policy chief Josep Borrell, Saudi Press Agency reported.
The officials discussed the latest developments in the Gaza Strip and its surrounding areas, and the international efforts being made to end the war.
Earlier in February, Prince Faisal and Borrell held similar discussions on the sidelines of the Munich Security Conference.

 


The 44th King Abdulaziz Qur’an competition begins in August

Updated 17 April 2024
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The 44th King Abdulaziz Qur’an competition begins in August

  • Total prize pool of SR4m in prestigious event

RIYADH: The 44th King Abdulaziz International Competition for the Memorization, Recitation, and Interpretation of the Qur’an begins in early August in Makkah, the Saudi Press Agency has reported.

The prestigious event, which attracts contestants from around the globe, offers a total prize pool of SR4 million ($1.07 million).

The competition is divided into five categories: memorization of the entire Holy Qur’an, with accurate recitation and intonation following the seven rules of recitation; memorization of the Qur’an along with interpretation of its terms; memorization of 15 juz (parts) of the Qur’an with proper recitation and intonation; memorization of five juz with correct recitation and intonation; and a category for shorter lengths of memorization with corresponding recitation and intonation requirements.

In the first category, the top three winners will receive SR500,000, SR450,000, and SR400,000.

The event’s closing ceremony will be held at the Grand Mosque in Makkah.

Saudi Minister of Islamic Affairs, Dawah and Guidance Sheikh Abdullatif Al-Asheikh expressed gratitude toward the Kingdom’s leaders for their dedication to the Qur’an, adding that the competition showcased the country’s commitment to promoting its values among Saudi Arabia’s youth.